Examines the ways in which Jane Addams affected the field of creative drama. (PD)

(Available From: CS 703 683)

An environmental education program for children at Killerton Park (England) combines reenactment of myths and other outdoor learning activities in an effort to "re-story" the landscape and give children a sense of place in the natural world. The activities were successful in stimulating the children's creativity and sensitivity to…

A course in the production of plays for and with children for presentation at elementary schools is outlined. This course involves choosing the play and mounting the production. The performance objectives indicate the student will: develop the necessary stage disciplines to perform as a member of a production unit; reacquaint himself with a…

Intended to accompany the children's play "The Prince Who Wouldn't Talk" by James Brock on a tour of elementary schools, this guide is designed to help prepare students for the production, stimulate them to new thinking, and create follow-up activities for the classroom. The guide's first section gives a brief history of the Children's…

The processes involved in drama and the dramatic play of children are essentially the same in that they rely on an imitation of nature, involve a transformation of reality through imagination, connect seemingly irrelevant elements creatively, and bring a temporary, limited order to an emotional experience. When child's play is used as a basis for…

This British book discusses the value of creative drama for people with learning disabilities, offers some basic principles of working with people with learning disabilities, and describes a variety of approaches to drama. An introduction discusses the optimal size of a creative drama group, the kind of work space needed, equipment, membership,…