Models of creative problem solving are predicated upon mental states to explain everything from the outcome of problem-solving experiments to the emergence of artistic creativity. We present two converging perspectives that describe a profoundly different ontological description of creativity. Our analysis proceeds from a distinction between…

Three independently developed educational leadership courses used the arts to depart from lecture and passive learning, prime students to solve school problems creatively, and build social justice awareness. Photo captioning was used to promote intrapersonal leadership development around professional identity formation and social justice awareness…

This essay focuses of an arts-informed inquiry performed by sixteen pre-service teachers who created sculptures to explore their teaching philosophies. Through this creative process changes occurred in their assumptions and expectations about what is of value in teaching and relationships between themselves, their students, and the community. The…

Studies in creativity most often neglect the aspect of place, of the artist's situated practices in the studio. One reason for this is that the artist's studio is one of the most difficult workplaces in which to gain entry and conduct research. This article is based on grounded research into the studio workplace of the sculptor Oswald Stimm,…

Describes a lesson in sculpture using the drape-mold method. Provides instructions for making the drape molds and the directions given to students. Briefly outlines the steps students went through to create various objects such as teapots, pitchers, vases, and cookie jars. Notes students' responses to the project. (DSK)

While the struggle persists in science classes to help students visualize in three dimensions, art classes are creating unique sculptures out of paper that produce three-dimensional displays from two-dimensional resources. The translation of paper relief sculpting from the art classroom to the science classroom adds dimension to the teaching of…

Two artists skilled in creating concrete sculpture worked with special and regular education elementary students in planning and building a concrete sculpture of a jungle. The shared experience not only resulted in a functional piece of art but also in improved staff and student relations. (CL)

Students learned to create head forms with clay at a special introductory class in Clay Portrait Sculpture at Vacaville High School, Vacaville, California. (Author/RK)

Over the past several years, expert craftspeople have been coming into the schools, working with kindergartners through high school students and conducting special workshops for teachers and parents. Describes a program developed in Bergen County, New Jersey and called "Craftsmen in the Schools" in which each person can use the same materials to…

Eighth grade students at the John Wallace Middle School learned the process of creating a three-dimensional object with soft materials, emphasizing construction and sculptural possibilities rather than the sewing involved. (Author/RK)

Secondary students find that junk is an inspiration for a creative project in the final days of high school. (RK)

Briefly described is a sculpture project wherein all activities were related to Transportation Week. The Maplewood Community Services' Mobile Arts and Crafts Unit visited seven area playgrounds daily for eight weeks one summer, presenting new media, concepts, and experiences for children of all ages. (KC)

Describes how author collected scrap materials from manufacturers for use in her art class. Explains how any art teacher can build a similar collection. (KM)

Uses a systems approach to creativity to study one student as that person learned to make art in an university-level introductory sculpture class. Shows ways that the class was an open system that modeled and encouraged artistic creativity and provided constraints and opportunities for the student to construct knowledge. (DSK)