This study analyzes "Act Out Justice" (AOJ), a youth theatre for social change initiative of Orlando Repertory Theatre and the University of Central Florida. Employing AOJ's model of reflective collaborative inquiry (Horn et al., 2020), this article dramatizes the practice of responding to one's own work. Through narrative and dialogical…

In 2016, professors representing Biology, Dance, Music, and Theatre and dance program students created "Dunes," a performance piece that depicts the ecological succession of Michigan's sand dunes. The process used to make this work is a direct representation of the steps that Team Hyena Puppet, a collective of teaching artists and…

A librarian and scholar discusses the burgeoning makerspace movement as a new context for teaching artist work.

Stephen Vitiello is a world-renowned contemporary sound artist whom the author has known as a colleague for several years. This article presents an interview about the overall body of Vitiello's work to date, and his thoughts on teaching at Virginia Commonwealth University. The interview explores the creative and noncreative tensions between…

Andrea Faye Hart is a community journalist and teaching artist who experiments with citizen media to especially empower youth. She runs a civic media and a catharsis through media-making programs for Free Spirit Media, as well as a verse and investigative journalism program for Young Chicago Authors. In this article, as a teaching artist working…

This article puts forth the reflections and questions of three artists at People's Light and Theatre (Resident Teaching Artist Sara Waxman, Resident Director Samantha Bellomo, and Producer for Arts Discovery Programs, Wendy Bable) in their ongoing dialogue on the intersection of media, young artists, and theatre-making in the Teen Summerstage…

This section is full of stories from teaching artists working to clarify what needs to change within their practices and moving toward solutions--whether it's supporting a classroom of learners in new and unexpected ways, reassessing one's approach in the classroom, shepherding an individual child toward success, or professionalizing an entire…

Stories in the "ALT/Space" section of each issue of "Teaching Artist Journal" illustrate and document a wide variety of topics surrounding the work of teaching artists while simultaneously revealing some larger truths about what it means to be an artist who teaches. This particular section focuses on the process and realities…

When one says "writing about teaching artist practice," what exactly does that mean? In the first two sections (EJ1039315 and EJ1039319), the authors considered different ways to frame a story by either zooming in closely to a specific moment or zooming out to provide more context in an effort to address complex issues. The stories in…

It is definitely easier to write about work when things are going well, but it is even more important to write about what happens when things get challenging. The act of writing about the challenging times can be challenging in itself but can also provide invaluable insights into the process of teaching: important for the writer and just as…

The author has been a theater artist in Chicago and Elgin public schools for over 10 years, and for the last four she has been leading professional development workshops for teaching artists and classroom teachers both in the United States and abroad. Teachers all over the world have asked her the same questions: "How do you get new teachers…

Mentorship is essential to teaching artists seriously committed to "learning to love this work more." For new(er) teaching artists, with little or no experience as teachers, the New Teaching Artist Mentorship Initiative is designed to inspire a life-long love affair with teaching and learning. This article describes the New Teaching…

Wayne Strange is a sixth-grade student and Bob Mishlove is an art teacher at Nathan R. Goldblatt Elementary School. Bob is a participant in the Building Community, Curriculum and Leadership initiative of the Chicago Public School's Fine and Performing Arts Magnet Cluster Program for elementary schools. Collaborating with the Chicago Arts…

Most everyone involved professionally in the non-profit arts comes in contact with a state arts agency. A person may be on the Teaching Artist roster, works for a grantee organization, or has directly received a grant or fellowship. The work that one does in the school is probably funded by the state arts agency. Or, at a more basic level, the…