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Zofia Mazur-Socha; Mariola Laguna; Peter Gollwitzer – Music Education Research, 2024
This article reports on the development and validation of the Instrumental Practice Goal Realization Inventory (IPGRI) designed to assess the process of self-directed study, beginning with setting the intention to practice and ending with the evaluation of one's performance. This new tool is based on the theoretical model of action phases. The…
Descriptors: Music Education, Music Activities, Measures (Individuals), Test Construction
Hafez, Krista Mary – ProQuest LLC, 2019
The repetitive nature of practice, extensive practice regimens, and competitive nature create conditions that predispose pianists for fatigue and overuse. Medical professionals agree that muscle fatigue increases the risk for injury. The purpose of this study was to identify whether a postural intervention had an effect on fatigue by quantifying…
Descriptors: Human Posture, Fatigue (Biology), Intervention, Music Education
Waters, Megan – International Journal of Music Education, 2019
The purpose of this study is to gain a better understanding of the perceived impact of personal circumstances, past and present learning environments, and musical culture on the development of playing-related pain and injury among tertiary string students. The study used a multi-phased mixed-methods methodology with elements of both quantitative…
Descriptors: Pain, Musical Instruments, Music Education, Psychomotor Skills
Mick, James – Contributions to Music Education, 2015
The purpose of this study was to investigate and describe various vibrato characteristics of university double bass students. The primary objectives were: (1) to describe vibrato rate and width for commonly used fingers in first, fourth, and thumb positions; (2) to investigate whether students initiate vibrato in an upward or downward direction;…
Descriptors: Musical Instruments, Music Techniques, College Students, Acoustics
Kaya, E. Erdem – Educational Research and Reviews, 2015
Between the two hemispheres of the brain, structural and functional differences are called cerebral lateralization that can affect the skill performance of both arms in a different way, which is called handedness. Approximately 90% of people are right-handed and they use the right hand for most skillful activities. Interestingly, recent studies…
Descriptors: Musical Instruments, Accuracy, Music Education, Brain Hemisphere Functions
Zahal, Onur – Educational Research and Reviews, 2016
The aim of this study is to determine the relationship between musical performance anxiety, learning styles, and the field of instrument and solo singing music teacher candidates. Musical performance anxiety has been investigated at various musical events, such as performance during exams, singing and playing on stage, or in front of judges for an…
Descriptors: Foreign Countries, Music Education, Music, Performance
Palmer, C. Michael – Journal of Research in Music Education, 2016
The purpose of this exploratory study was to examine the role aural imitation ability, jazz theory knowledge, and personal background variables play in the development of jazz improvisation achievement. Participants (N = 70) included 26 high school and 44 college instrumentalists with varying degrees of jazz improvisation experience. Data were…
Descriptors: Music, Music Education, Creative Activities, Music Theory
Long, Marion; Creech, Andrea; Gaunt, Helena; Hallam, Susan – Music Education Research, 2014
Historically, in the professional training of musicians, the master-apprentice model has played a central role in instilling the methods and values of the discipline, contributing to the rigorous formation of talent. Expert professional musicians advocate that certain thinking skills can be modelled through the master-apprentice model, yet its…
Descriptors: Foreign Countries, Music, Music Education, Musicians
Matthews, Wendy K.; Kitsantas, Anastasia – Psychology of Music, 2013
This study examined the effects of the conductor's goal orientation (mastery vs. performance) and use of shared performance cues (basic vs. interpretive vs. expressive) on instrumentalists' self-efficacy, collective efficacy, attributions, and performance. Eighty-one college instrumentalists from two musical ensembles participated in the study. It…
Descriptors: College Students, Music, Music Activities, Musical Instruments
Toyoshima, Kumiko; Fukui, Hajime; Kuda, Kiyoto – International Journal of Music Education, 2011
Few studies have been conducted on the physiological effects of creative art activities. In this study, the effects of creative art activities on human stress were investigated, and their effects were compared in 57 healthy college students (27 males and 30 females). Subjects were divided into four groups, each of which participated in 30-minute…
Descriptors: Control Groups, Music Education, Creative Activities, Handwriting
Morrison, Steven J.; Price, Harry E.; Geiger, Carla G.; Cornacchio, Rachel A. – Journal of Research in Music Education, 2009
In this study, the authors examined whether a conductor's use of high-expressivity or low-expressivity techniques affected evaluations of ensemble performances that were identical across conducting conditions. Two conductors each conducted two 1-minute parallel excerpts from Percy Grainger's "Walking Tune." Each directed one excerpt…
Descriptors: Music Education, Measures (Individuals), Likert Scales, College Students
Steele, Natalie Anne – ProQuest LLC, 2009
The first purpose of this study was to describe collegiate band members' preferred teacher interpersonal behaviors and perceptions of self-efficacy based on the gender, year in college, instrument, and major. The second purpose of the study was to measure the relationship between preferences of interpersonal teacher behavior and self-efficacy…
Descriptors: Teacher Behavior, Universities, Measures (Individuals), Private Colleges

Price, Harry E.; Chang, E. Christina – Journal of Research in Music Education, 2005
This study is the second in a series examining the relationship between conducting and ensemble performance. The purpose was to further examine the associations among conductor, ensemble performance expressivity, and festival ratings. Participants were asked to rate the expressivity of video-only conducting and parallel audio-only excerpts from a…
Descriptors: Music Education, Musical Instruments, Music Activities, Rating Scales