Courses: Public Speaking, Storytelling, Performance Ethnography, Oral Interpretation, Language and Communication. Objectives: The aims of this class exercise are: (1) To engage in a collaborative creative process of developing a story/topic from a simple idea to deepening the relationship with the audience through vivid and evocative language; (2)…

Outlines an exercise that gets students to experience the oral composition of poetry. Describes methods for implementing the exercise; discusses results and advantages. (PD)

Describes an exercise that introduces students to the unique characteristics of the third-person narrator and also improves skills in observation, story telling, and analysis. (PD)

Describes a poetry assignment in which students select a poem to analyze and present before the class. Observes that unlike the traditional postures of detachment and impersonality, this approach of self-selections encourages students to establish an intimacy with poetry. (MM)

This paper discusses the benefits of storytelling, especially for the classroom teacher. The paper provides 12 activities for students (Kindergarten-12) to demonstrate how storytelling can help develop communication competencies. The activities included in the paper are: folktale cinquain, The Wicked Stepmother Gets Her Day in Court, storytelling…

Composing oral poems and storytelling are two exercises that speech teachers can use in oral interpretation courses. Conducting the oral poetry exercise early in an introductory interpretation course allows students to become acquainted with each other and to encourage each other while sharing something of themselves with the entire class. This…

Supported by a rationale for activities in the language arts/English curriculum, this paper demonstrates methods of introducing students to current approaches to oral interpretation of literature. The paper argues that through planning, rehearsing, and reflecting on oral interpretations of literature, readers become increasingly aware of…

Describes a project in England in which a class of 9- to 11-year olds enthusiastically and successfully explored the play "Hamlet" by writing about, discussing, performing, and visually interpreting the actual text. The teacher suggests that, with a little creativity, Shakespeare is very accessible to children. (SM)

The curriculum outlined in this document was designed for the creative teacher to use in a learning environment which encourages pupils to experiment, to explore, to develop a positive self-image, and to express ideas freely and without fear of losing dignity. This document defines 19 drama skills and describes drama activities, with suggested…

Shows that storytelling can be used in elementary language classes to build self-esteem among students, because telling stories drawn from their memories reveals students' lifelong relationship with language. Emphasizes the importance of choosing appropriate stories to tell, and discusses an activity where students retell the story of a book they…

This paper advocates the use in the college reading classroom of Readers' Theater (a medium in which two or more oral readers, without memorization, special costumes, lighting, props, or sound effects, through creative oral reading cause an audience to explore drama, prose, and poetry). Sections in the paper discuss: the definition of readers'…

Defines and illustrates language techniques used by Black authors writing to and for Blacks in the 1960s and 1970s. Suggests how language and theme barriers of such literature might be overcome in a contemporary integrated oral interpretation classroom. (PD)

Based on the experiences of classroom teachers of theatre, the elective dramatics course described in this guide is designed to enhance ninth grade students' aesthetic awareness, social development, intellectual growth, and technical knowledge. Following a brief course description and overview, the guide presents complete instructions for seven…

The relationship of syntactic sensitivities to fluency and understanding are usually neglected when discussing reading fluency. The article describes oral reading and interpretation activities in one seventh grade class undertaken to improve comprehension and fluency. It also discusses evaluation methods, such as portfolios and recordings as…

Offers a plan for teaching the poetry of Wilfred Owen by having students develop meaning with a dramatic reading of a poem, interpretive music or dance, or artwork. Notes that the method seems to have fostered better understanding and student "ownership" of Owen's poetry in the class that first used this method. (JC)