This visual arts project was initiated at the West Virginia University Laboratory School (Nursery School) several years ago and has assisted children in reproducing prints of famous artists. Using the principles of behaviorism in conjunction with developmentally appropriate practice has helped young children to extend their knowledge in the visual…

Visual arts rarely seem to receive the accolades that are bestowed upon other special subject areas such as music and sports. In this article, the author describes a way in which publicity could be generated for students involved with the visual arts. The mural-painting process provides a creative outlet for students and gives them the opportunity…

There are five categories of titles of paintings: descriptive, narrative, directive, poetic, and arbitrary. When children title their work they give clues to its intent and challenge the presuppositions that adults may bring to children's art. Titling can expand students' ideas for painting and provide a greater variety of approaches. (CS)

This paper is part of a research project designed to look at questions of giftedness and exceptional ability in the arts through a case study of three world-class artists. Examination of the childhood art of Picasso, Lautrec, and Klee reveals no common subject preferences nor any real anomalies in graphic development. This paper focuses on the…

Reports on age differences found in children's (1) ability to execute appropriate differences in the uses of color while completing partially drawn scenes; and (2) sensitivity to differences between heraldic, gradation, harmonic, and pure use of color in a matching task. (GC)

This article examines the process of graphic representational development in paint in the context of the theoretical assumptions of traditional developmental stage theory. Consistent with current theory and research in art education and cognitive psychology, a model of painting development is proposed that is multidimensional rather than unitary,…

Creating a collage can be an effective way to help elementary children develop good compositional habits, drawing skills, and confidence. Students first gather pictures and photographs and create a collage. They then create a work of art from the collage, by drawing and painting it. (RM)

This article is concerned with the representational paintings and drawings of six- to nine-year-old children in which human relationships and interactions are central to subject matter. As a rule, children at this age are thought to be at the height of their curiosity and imaginative powers. (Author/KC)

The author discusses his cross cultural study of the painting styles of 9- to 12-year-old children in Australia, New Zealand, and South Korea. He compares their art products--all illustrations of the Noah's Ark story. A sample of the drawings illustrates the text. (SJL)

Presents an art lesson for elementary students using painter Claude Monet as an introduction to Impressionism. Discusses Monet and his artwork. Explains that the students copy Monet's painting "The House of Parliament, Sunset" in order to draw the contour or outline of the buildings. (CMK)

Describes nine consequences for children who are given the opportunity to work with art teachers. Some of these are that making images provides intrinsic satisfaction; children learn that the images they create can function as symbols; and children's power to conceptualize visual ideas and to use effective means of expressing them increases. (KC)

Presents a kindergarten art activity in which students create a collage. Explains that students learn about three types of painting and experiment with each one. Discusses how the students created their collages. (CMK)

Describes an art activity where children create imaginary character sculptures using clay. Discusses how the students created their creatures after first drawing their ideas and then painting their sculptures. (CMK)

In an eight-week project, an award-winning children's book author and illustrator helped third grade students create impressive artwork. Children worked in pairs to create collaborative drawings, and they gained confidence in their artistic abilities over time. The project developed strategies for use by classroom teachers. (SM)

This paper describes a longitudinal study undertaken with 40 pre-schoolers during their last six months in an early childhood centre and their first six months at school. The study presents an investigation of the pathways that child drawers and painters make towards representational depictions. As such its primary focus is on cognitive processes.…