Presents a brief history of "Cabaret" and analyzes the cinematic version for character changes which differ from the story originally written by Christopher Isherwood. (RB)

Analyzes the difficulty of adapting Faulkner's "Sanctuary" to film, concluding that a genuine work of art, conceived in one medium, resists being transferred to another art form. (RB)

Discusses the controversy surrounding Ken Russell's interpretations of the materials on which he bases his films. (RB)

A paper presented at Workshop on Literary Sexual Stereotypes at annual convention of Modern Language Association of America (New York, December 27, 1970). (Editor)

A psychological analysis of the motivations and actions of the characters in Act I, Scene 2, of Shakespeare's King Lear" (RD)

Provides a discussion of a character's ascent from a spiritual dark night toward an illuminating encounter with grace and love forcefully depicted by Katherine Paterson. (HOD)

Examines how the heroine's process of growth and survival in "Z for Zachariah" is played out against the background of a Biblical collage that imbues her struggle with mythic significance. (HOD)

Notes how the internal structure of Rudyard's "The Jungle Book,""Captains Courageous," and "Kim," are all the same, even though "Captains Courageous" is not as widely acclaimed as the other two books. (HOD)

Examines six books by Jan Mark and suggests they have a variety and range of richness that will attract a wide readership on many different levels. (HOD)

Compares the actual Christopher Robin Milne with the character of Christopher Robin as found in the verses of A. A. Milne. (HOD)

Discusses the Milly-Molly-Mandy books, showing that they depict a world of childhood coherent and memorable enough to be regarded as an outstanding exemplar of certain traditional values. (HOD)

Analyzes the fiction of Robert Newton Peck with reference to his book "Secrets of Successful Fiction." (TB)

Examines Ernest Hemingway's indictment of Jewish culture through Robert Cohn, a character in "The Sun Also Rises." Argues that Hemingway's portrayal of Cohn reveals the apprehensions that mainstream Americans had about an alien immigrant population. Concludes that Hemingway reacted to what he viewed as a breakdown of values and a threat…

Analyzes similarities and differences between Henry Fonda's character Colonel Thursday in John Ford's "Fort Apache" and the historical figure of General George Armstrong Custer. States that historical parallels between Thursday's military defeat and Custer's are, for the most part, fairly obvious. (PA)