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Solomon, Martha – Communication Quarterly, 1983
Explores the rhetorical factors which underlie this British film's extraordinary popularity with American audiences. Argues that the rhetorical force of the film comes from the struggle between moralism and materialism, two aspects of the American Dream, thus providing a uniquely powerful American experience. (PD)
Descriptors: Athletics, Characterization, Film Criticism, Films
Behrens, Laurence – Journal of the University Film Association, 1979
Approaches film criticism using classical and modern rhetorical concepts. Discusses the nature and effectiveness of the filmmaker's modes of appeal--to logos, pathos, and ethos, and the appropriateness of his/her rhetorical stance--the balance of attitudes toward subject, audience, and his/her creative self. (JMF)
Descriptors: Audiences, Characterization, Content Analysis, Film Criticism
Miller, Melvin H. – 1977
In both speaking and writing, the goal is communication with the intended audience. Rejecting the view that rhetoric is based on an established set of conventions, this article examines the writings of Charles Dickens as models of rhetorical expression. Passages from Dicken's novels illustrate how the writer violated grammatical rules and broke…
Descriptors: Characterization, Communication Skills, Communication (Thought Transfer), Fiction
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Taft-Kaufman, Jill – Communication Education, 1980
Presents a rhetorical perspective for examining Shakespearean dramatic texts and an instructional framework for translating that perspective into the teaching of solo performance of Shakespearean dramatic literature. Describes techniques for implementing classroom performance that will develop and demonstrate student understanding of the text.…
Descriptors: Audiences, Characterization, Drama, Dramatics
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Rushing, Janice Hocker; Frentz, Thomas S. – Quarterly Journal of Speech, 1980
Analyzes "The Deer Hunter" in terms of a psychological/ritual model of criticism. Argues that the rhetorical force of the film is explained by men's participation in rituals, such as deer hunting, which affect the patterns of psychological change they experience during and after war. (JMF)
Descriptors: Characterization, Film Study, Films, Models
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Kougl, Kathleen Mary – Communication Quarterly, 1983
Examines the interpersonal communication of main characters in three novels. Concludes that the heuristic propositions that emerge from this study might be useful in the study and understanding of real life interpersonal experiences. (PD)
Descriptors: Characterization, Content Analysis, Heuristics, Interpersonal Communication
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Tedesco, John L. – Communication Monographs, 1978
Describes the various versions of White character portrayal emerging in Black drama between 1950 and 1970 and delineates their potential rhetorical functions. (MH)
Descriptors: American Culture, Blacks, Characterization, Drama
Frentz, Thomas S.; Rushing, Janice H. – 1987
Developing a theme drawn from speculative writing of the nineteenth century--that technology, like biological species, undergoes a process of evolution--this paper explores the thesis that if technology divides from its human creators and perfects itself until it gains the capacity for self replication, it cannot return to its creator. Using…
Descriptors: Characterization, Content Analysis, Discourse Analysis, Fiction
Stroud, Scott R. – 2000
This paper analyzes the interesting narrative structure of the hero-quest myth contained within the 1999 film, "The Matrix," and explicates the implications of this message upon the audience. Initially, the relevance of myth to movies and the format of Joseph Campbell's hero-quest is illustrated. This format is then applied to "The…
Descriptors: Characterization, Content Analysis, Empowerment, Film Study
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Gragson, Gay; Selzer, Jack – Written Communication, 1990
Analyzes two scientific journal articles from a reader-response perspective. Elaborates the rhetorical nature of scientific discourse and demonstrates that even within the constraints of the journal articles, scientists have considerable freedom to exercise choices. Explicates how writers use cues to direct readers into fictional roles. (MG)
Descriptors: Audience Awareness, Biology, Characterization, Higher Education