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Niel, Andre – Francais Dans le Monde, 1970
Descriptors: Analytical Criticism, Characterization, French Literature, Impressionistic Criticism
Garcia Berrio, Antonio – Revista de Filologia Espanola, 1967
A manuscript dated 1651 and now housed at the National Library in Florence, Italy, suggests that the document may be the first Italian adaptation of the Spanish drama, "El burlador de Sevilla y Convidado de Piedra" ("The Deceiver of Seville"). The Spanish tragedy, written in 1630 by Gabriel Tellez, known as Tirso de Molina,…
Descriptors: Analytical Criticism, Characterization, Christianity, Dialogs (Literary)
Embeita, Maria Z. – Cuadernos Hispanoamericanos, 1972
Special issue dedicated to the works of Pio Baroja. (DS)
Descriptors: Characterization, Formal Criticism, Impressionistic Criticism, Literary Styles
Corwin, Laura J. – Revue des Langues Vivantes, 1972
Descriptors: Characterization, English Literature, Formal Criticism, Literary Styles
Martinez Ruiz, Juan – Revista de Filologia Espanola, 1967
Miguel de Cervantes' capture by the Turks and his imprisonment in Argel (Morocco) during the Battle of Lepanto in the sixteenth century have been studied by literary critics who have endeavored to determine fiction and reality in certain episodes of "Don Quijote" and in the drama, "Los banos de Argel". Twelve documents…
Descriptors: Characterization, Drama, Fiction, Historical Criticism
Lacour, Claudia Brodsky – Humanities, 1996
Discusses and appraises the work of Nobel Prize winning black author Toni Morrison. Locates thematic and stylistic antecedents in the works of Fyodor Dostoevsky and Ernest Hemingway. Compares and contrasts Morrison's work with Ralph Ellison's "Invisible Man" and discusses the critical reception of black authors. (MJP)
Descriptors: Audience Response, Authors, Black Community, Black Culture

Fragola, Anthony – Journal of Film and Video, 1990
Suggests American screenwriters experiment with the lighting, colors, perspectives, angles, and positioning of images in works of art to generate narrative. Argues that American screenwriters, unlike European counterparts, unnecessarily adhere to the concept that characterization is essential to generate narrative. (KEH)
Descriptors: Characterization, Film Criticism, Film Study, Films

Cerreta, Florindo – Italica, 1970
Descriptors: Characterization, Formal Criticism, Italian Literature, Medieval Literature

Vogel, Dan – College English, 1974
Descriptors: Characterization, Critical Reading, Literary Criticism, Literary Devices
Stott, Jon C. – Elementary English, 1975
Descriptors: Adolescent Literature, Book Reviews, Books, Characterization

Pasco, Allan H. – French Review, 1973
Descriptors: Analytical Criticism, Characterization, French Literature, Literary Styles
Borau, Pablo – Cuadernos Hispanoamericanos, 1972
Special issue dedicated to the works of Pio Baroja. (DS)
Descriptors: Characterization, Impressionistic Criticism, Literary Styles, Narration

Ruiz Lagos, Manuel – Revista de Filologia Espanola, 1969
Special issue devoted to the life and works of Gustavo Adolfo Becquer. (DS)
Descriptors: Characterization, Impressionistic Criticism, Literary Perspective, Narration

Gyurko, Lanin A. – Revista Iberoamericana, 1971
Special issue on contemporary Spanish American literature. (DS)
Descriptors: Analytical Criticism, Characterization, Literary Perspective, Narration
Stanek, Lou Willett – Elementary English, 1974
Many authors of adolescent novels follow a formula when developing a pattern of action. The formula, however, is not predictable and may be one of action, humor, or ideas. (JH)
Descriptors: Adolescent Literature, Characterization, Fiction, Humor