Interprets the play as having a protagonist who is suspended between the two cultures of imperialism and anit-imperialism, and as concerning its protagonist's conversion from an apolitical emigre, aloof from African affairs, into a warrior for the independence of his homeland. (Author/JM)

Analyzes the elements of ritual and spirit possession in African religious traditions and compares them with similar elements in Afro-American cults and churches. (Author)

Current research reveals that West African musical concepts provided the foundation for the various musical genres created by Black Americans. The Black musical tradition continues to evolve and mirror new values, attitudes, philosophies, and life-styles without the loss of a West African identity. (RLV)

The Caribbean is a rich breeding ground for African-derived music. A synopsis is given of the music of the following countries and styles: (1) Jamaica; (2) Trinidad and Tobago; (3) Calypso; (4) steel pan; (5) Haiti; (6) Dominican Republic; (7) Cuba; (8) Puerto Rico; and (9) other islands. (SLD)

Black American males lack a ceremony to usher them into manhood. Such a ritual could help to ensure proper socialization and self identity. It may counteract the negative influence of street culture. Like other major life change ceremonies, a coming-of-age rite can help to locate anew the individual within the community. Elements of this rite of…

The development of the unique ethnic identity of Afro-Americans is examined. Historical evidence documents the significance of the dual influences of American and West African culture upon the Afro-American. These influences are interpreted in light of what they have meant from the standpoint of Afro-American identity formation and its…

A depiction of the Black family as an illegitimate White family is a misconception of Black family researchers who accepted Western assumptions about the Black family. A full understanding of the Black family will only occur when it is conceived in terms of its own nature. (Author/WI)

Concludes that the concerned black scholar should not shy away from empirical research on the psychological affairs of Afro-Americans because of its attendant vulnerability to presuppositions and biases. Instead he should use a presuppositional infrastructure that is heuristically viable and ethnographically sensitive. (Author/AM)

Identifies characteristics of the "bad nigger" image, establishes its historical consistency, and explores its significance in Afro-American literature. Though this study is not exhaustive, it is comprehensive enough to point to an image that is persistently shown in the literature. (Author)

Argues that proverbs play an important role in the continuing development and survival of Africans and African descendants throughout the diaspora. Analyzes research of proverb studies conducted in Africa, the Caribbean, Pittsburgh, and Detroit. Provides recommendations for further research. (KH)

Blacks, now distributed throughout the world, have everywhere maintained some Africanisms that reflect their cultural heritage. An awareness of these Africanisms can unite Blacks throughout the diaspora and contribute to their international quest for liberation and national identity. (KH)

Will the computer or instruments powered by electrical energy become the most efficient means by which to produce Western music, replacing the live performer? If so, what will be the effects of electronic, mechanical music on society? (Author/RJ)

The perseverance of African musical characteristics among American Blacks is an historic reality. African retentions have been recorded in Black music of the antebellum period. Various African scales and rhythms permeate Black American music today as evidenced in the retentions found in blues and jazz. (RLV)