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Coskuner, Sonat – Journal of Education and Training Studies, 2018
Today, contemporary music emerges as an experimental phenomenon trapped in the laboratory environment rather than an element of skill. Modern music, where principles such as specialism and rationality are determinative, has become difficult to understand not only for performers who carry it on the stage but also for today's audience. One of the…
Descriptors: Music, Acoustics, Performance, Musicians
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Johnston, Kirsty – International Journal of Inclusive Education, 2009
Workman Arts, a Toronto-based theatre and visual arts company with a 20-year history, provides a rich site for re-imagining stigmatised representations of mental illness. Writing and performing against a long tradition of representing people with mental illnesses as incoherent speakers and visually different, company members seek to re-imagine…
Descriptors: Visual Arts, Mental Disorders, Audiences, Artists
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Barone, Tom – Qualitative Inquiry, 2007
Narrative construction is an approach to social research in which data are configured into any of a variety of diachronic, or storied, formats. Having recently gained popularity, this approach is now in danger of marginalization (along with other qualitative and quantitative forms of social research) as a result of politically charged attempts to…
Descriptors: Qualitative Research, Educational Research, Research Methodology, Story Telling
Gordon, John B. – 1977
Influenced by film and television exposure, the student designer tends to be camera oriented and two-dimensional in creating theatrical sets. This paper outlines six visual projects designed to help students develop a selective visual sense for dealing with the three-dimensional aspects of the stage. The projects include the following activities:…
Descriptors: Audiences, Communication (Thought Transfer), Design, Design Crafts
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Noble, Lynne Steyer – School Arts, 1982
Describes a pilot arts festival for elementary schools held in Richland County, South Carolina. Students attended theatrical performances and learned about audience etiquette. In each school, artists-in-residence taught crafts to small groups. The festival ended with a countywide, weekend art fair. (AM)
Descriptors: Art Education, Artists, Audiences, Craft Workers
Reiss, Alvin H. – 1995
This handbook/guidebook/manual details marketing and fund-raising strategies that might benefit art organizations. Drawing on sources from the arts community, including orchestras, opera, dance and theater companies, galleries, museums, arts councils, performing arts centers, and a zoo, ideas are presented which have proven successful in actual…
Descriptors: Advertising, Arts Centers, Audiences, Community Resources
Reiss, Alvin H. – 1986
This combination handbook, guidebook, and how-to-do-it manual presents useful marketing and fund-raising strategies for those involved in promoting and funding the arts. Case histories of funding programs and promotions are presented along with advice and guidance on: tapping the corporate treasury; unusual direct-mail techniques; and the use of…
Descriptors: Advertising, Arts Centers, Audiences, Community Resources
Waterman, David; And Others – 1987
This report examined media audiences for the arts using data gathered in the Survey of Public Participation in the Arts (SPA) covering approximately 18,000 U.S. adults in 1982 and 16,000 adults in 1985. The SPA questionnaire covers the use of television, radio, and recordings as a means to participate in seven particular arts activities, which…
Descriptors: Art Appreciation, Audience Participation, Audiences, Cultural Activities
Youngblood, Gene – 1970
Today, our environment is created more by television and cinema than by nature. Our view of what human nature is and might be is conditioned by what we see in those media. Films which make use of traditional genres only reinforce traditional views. They do not force us to new ones. But new filmmakers are creating "synaesthetic" cinema, which…
Descriptors: Animation, Audiences, Bionics, Computer Graphics
Peterson, Richard A.; Sherkat, Darren E. – 1995
The changing age composition of audiences gives an indication of the demand for art forms now and in years to come. This survey report seeks to determine the make-up of audience participants by age and preference of art form. Demographic variables considered include: education; income; gender; race; urban place of residence; marital status; and…
Descriptors: Audience Analysis, Audience Participation, Audiences, Cohort Analysis
Bergonzi, Louis; Smith, Julia – 1996
Using data from the 1992 Survey of Public Participation in the Arts (SPPA92), research focused on the question: "Does arts education make arts participation more accessible to Americans?" The effects of both school-based arts education and community-based arts education were considered and compared. Art forms considered in this…
Descriptors: Art, Art Education, Audience Analysis, Audience Participation
DiMaggio, Paul; And Others – 1977
Characteristics of the arts public, the quality and impact of arts audience research, and factors affecting research utilization are reported. Data were obtained from research literature searches and from over 600 questionnaire responses from museums, performing arts institutions, arts councils, and other organizations; directors of 86 recent…
Descriptors: Arts Centers, Audiences, Educational Background, Employment Level
Gray, Charles M. – 1995
Data gleaned from the 1982, 1985, and 1992 Surveys of Public Participation in the Arts (SPPAs) were used in this analysis of participation in the arts via television, radio, and sound recordings. The arts examined were jazz, classical music, opera, musicals and operettas, plays, dance, and the visual arts. Selected findings are as follows: (1)…
Descriptors: Audience Analysis, Audience Participation, Audience Response, Audiences
Love, Jeffrey; Klipple, Bramble C. – 1995
This report analyzes data from the 1982, 1985, and 1992 Surveys of Public Participation in the Arts (SPPA). Analysis focuses on the role of race/ethnicity in arts participation. Arts participation is defined as involvement in a listed activity at least once in the past 12 months. Race is defined along categories used by the U.S. Bureau of Census.…
Descriptors: Art Appreciation, Audience Analysis, Audience Participation, Audience Response