The Strategic National Arts Alumni Project (SNAAP) is a comprehensive survey administered online to the arts alumni of participating institutions. Completion time for the survey is generally 20 to 30 minutes. Founded in 2008, SNAAP is based at the Indiana University Center for Postsecondary Research of the School of Education and administered in…

The Strategic National Arts Alumni Project (SNAAP) is a comprehensive survey administered online to the arts alumni of participating institutions. Completion time for the survey is generally 20 to 30 minutes. The results described in this report are based on data collected from the 2011, 2012, and 2013 annual survey administrations. This report…

Drawing upon Lacanian psychoanalytic theory, neuroscience brain research, and the practices of contemporary artists Ann Hamilton, Jasper Johns, Elizabeth Murray, and Oliver Herring, this article argues for the relevance of conscious and unconscious knowledge in artistic practice. Parallels drawn between Lacanian psychoanalytic clinical practice…

The article explores the concept of the artist teacher, drawing upon an overview of relevant literature and two related pieces of research: the first investigated practices within the Artist Teacher Scheme (ATS); the second sought to understand the perceptions of practice-based coursework in an MA Art Education programme at Roehampton University…

This essay originates in the experience of teaching aesthetics to artists within the context of undergraduate and postgraduate art education. Its main aim is to feed this experience into a reading of Kant's Critique of Judgment as a means of identifying the productive moment within his thought typically obscured by the continuing dominance of…

In this article, the author asserts that if Teaching Artists "must excel both as educators and artists, mastering the theory and practice of both fields, as well as the unique theory and practice that lies at their intersections" (Larson 13), then teachers who embrace the arts must master the creative process and experience what it is…

To pursue the question of how women art students felt about their work and about being artists, a study was conducted of students enrolled in seven institutions of higher education. The study also noted the possible differences in career commitment between students attending the professional schools and the universities. (Author/RK)

Offers reflections on the experience of having Viktor Lowenfeld as a mentor. Presented at the National Art Education Association (NAEA) Convention in Washington, D.C. in March 1999 as an adapted version of the Lowenfeld Lecture. Includes comments from other people who have memories of Lowenfeld as a mentor. (CMK)

Considers what specific educational needs a graduate program in studio art must satisfy to be successful. (RK)