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Frank, Peter – Visible Language, 1992
Addresses various phenomena that abetted the "fluxizing" of American art. Noted that the New York-based Fluxus movement began an extended period of dissemination and, in some sense dissolution, around 1967. (RS)
Descriptors: Art Expression, Art History, Artists

Hanhardt, John G. – Visible Language, 1992
Presents a photographic essay that features photo documentation by Peter Moore of three Wolf Vostell projects produced in New York during the period 1963-64. Notes that Vostell used de-collage techniques as a means to critique broadcast television. (RS)
Descriptors: Art Expression, Art History, Artists, Broadcast Television

Melton, Hollis – Visible Language, 1992
Discusses George Maciunas' pivotal contributions to the renaissance of SoHo, the New York City community south of Houston Street. Recounts the establishment of Fluxus cooperatives, the history of the FilmMakers' Cinematheque, Maciunas' long struggle with the Attorney General's office, and closes with a description of the February 1978 erotic Flux…
Descriptors: Art Expression, Art History, Artists, Theater Arts

Foster, Stephen C. – Visible Language, 1992
Explores why Fluxus' ambiguous affirmations and denials of modernism are not contradictory but part of a self-conscious strategy designed to manipulate the operational apparatus of modernism. Suggests that, in its separation of means and ends, Fluxus lost the authority to author itself, became the subject of a traditional modernist debate and the…
Descriptors: Art Expression, Art History, Artists, Modernism

Friedman, Ken – Visible Language, 1992
Discusses the development of Fluxus as a community of individuals who responded to complex interactions among themselves, yet who struggled against the codification of their activities into "artistic cohesion." Refutes myths of periods of ideological unity. Provides an overview of consensus among scholars, curators, and critics…
Descriptors: Art Expression, Art History, Artists, Community Characteristics

Snyder, Ellsworth – Visible Language, 1992
Presents an informal discussion with composer John Cage which includes his response to George Maciunas' work, his recollections of Marcel Duchamp, the complex relationship between inelegant material and revealing works of art, neo-Dada and neo-Fluxus, Wittgenstein and the artist's ultimate responsibility to initiate a change in the viewer or…
Descriptors: Art Expression, Art History, Art Products, Artists

Milman, Estera – Visible Language, 1992
Recounts when the Fluxus community first became self-consciously aware of itself during early European concert tours. Provides insights into criteria that delineate European and American Fluxus performances. Discusses use of chance procedure by members of the group, their debts to John Cage, and the relationship between the audience and the…
Descriptors: Art Expression, Art History, Artists, Audience Awareness

Smith, Owen – Visible Language, 1992
Discusses the early developmental phase of Fluxus. Addresses the evolution of a Fluxus community and the development of a Fluxus performance sensibility. (RS)
Descriptors: Art Expression, Art History, Artists, Community Characteristics