Publication Date
In 2025 | 0 |
Since 2024 | 0 |
Since 2021 (last 5 years) | 5 |
Since 2016 (last 10 years) | 9 |
Since 2006 (last 20 years) | 101 |
Descriptor
Source
Author
Hubbard, Guy | 42 |
Johnson, Mark M. | 15 |
Herberholz, Barbara | 14 |
Sartorius, Tara Cady | 13 |
Greenman, Geri | 5 |
Gibson, Marcia | 3 |
Skophammer, Karen | 3 |
Buck, Susan | 2 |
Clark, Roger | 2 |
Day, Michael D. | 2 |
Delacruz, Elizabeth Manley | 2 |
More ▼ |
Publication Type
Education Level
Audience
Teachers | 48 |
Practitioners | 31 |
Administrators | 1 |
Researchers | 1 |
Students | 1 |
Location
Canada | 5 |
Australia | 3 |
Italy | 3 |
New Mexico | 3 |
Texas | 3 |
United States | 3 |
Africa | 2 |
Alabama | 2 |
California | 2 |
Louisiana | 2 |
Netherlands | 2 |
More ▼ |
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Fowler, Cynthia – Studies in Art Education: A Journal of Issues and Research in Art Education, 2022
Ralph Pearson's Design Workshop was a center of progressive art education in New York. However, based on the correspondence courses that he developed, he was able to reach artists and art educators across the United States. Women artists and art educators dominated his courses and went on to play an important role in spreading progressive art…
Descriptors: Art Education, Women Faculty, Artists, Art Teachers
Kazimierska-Jerzyk, Wioletta – Educational Philosophy and Theory, 2023
Dissent has its own special place in art education. It has two stereotypical, polarized faces. The first is a classical institution modelled on Italian and French academies. As official places, they aimed at elevating art to the rank of science and making it an expression and instrument of power. The opposite image of the school is an oasis of…
Descriptors: Art Education, Educational Philosophy, Dissent, Moral Values
Karim, Baigutov; Seksembaevich, Myrzakanov Madvakas; Suyuberdieva, Aiman; Maulenberdieva, Gulzhan; Kudaibergenova, Marzhan; Baybolat, Lyazzat; Ibrayeva, Kymbat – Cypriot Journal of Educational Sciences, 2021
Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history. Previous…
Descriptors: Foreign Countries, Mythology, Art Education, Folk Culture
Dasgupta, Subrata – Creativity Research Journal, 2019
As art historians have noted, "Les Demoiselles d'Avignon" (1907) occupies a very special place in the history of Western painting, both as the harbinger of 20th century modernism and as the progenitor of Cubism. For these reasons, as also for its convoluted history and multivariate interpretations, there is a vast art-historical…
Descriptors: Creativity, Painting (Visual Arts), History, Cognitive Processes
Mary Soylu – Art Education, 2023
African American artists have participated in every major art style and movement since before the founding of this nation. However, until recent decades, this "grand epic" had been marginalized within the traditional survey canon of American art. Art historians have undertaken considerable scholarship (Bearden & Henderson, 1993;…
Descriptors: African Americans, Art History, Black Colleges, Instructional Innovation
Miles, James; Springgay, Stephanie – International Journal of Qualitative Studies in Education (QSE), 2020
This paper seeks to re-evaluate the pedagogical and curricular influence of Fluxus artists who have been under addressed in curriculum studies scholarship. Between the late 1950s and early 1970s this group of avant-garde artist-pedagogues experimented with new ways to think about curriculum and pedagogy in institutes of higher education and in…
Descriptors: Artists, Art Education, Art History, Studio Art
Pyne Feinberg, Pohanna; Lemaire, Marie-Hélène – Journal of Museum Education, 2021
This article offers insights from an on-going research project titled, "Experimenting Interpretation," which explores pedagogical approaches to guided visits that enable visitors to encounter and interpret multi-sensory contemporary art through attunement to embodied knowledge and affective responses. The case study discussed here was…
Descriptors: Museums, Teaching Methods, Multisensory Learning, Artists
Adams, Jeff – International Journal of Art & Design Education, 2015
This is a personal reflection on an encounter with the works of the nineteenth-century painter J. M. W. Turner in London's Tate Britain exhibition "Late Turner: Painting Set Free". The article discusses the deeply subjective nature of engaging with artworks, and touches upon theories that might account for the ineffable but moving…
Descriptors: Artists, Art History, Art Products, Exhibits
Ungemah, Lori D.; Stokas, Ariana Gonzalez – Art Education, 2018
Offering art education and art experiences to marginalized student populations provides a break from the academic familiar and creates space for radical possibility both in the art classroom and across academic contexts. This article shows the value of artists-in-residence within community colleges, which tend to serve low income, racial minority,…
Descriptors: Artists, Community Colleges, Two Year College Students, Art Education
Gasper-Hulvat, Marie – Journal of Experiential Education, 2018
Background: In a digital age, service-learning partner organizations can expand beyond geographical locations accessible to the students. Particularly within fields digitizing archival sources, including art history, many learning outcomes achieved in traditional on-site service-learning programs can also result from remote access to staff and…
Descriptors: Service Learning, Art Education, Art History, Museums
Prager, Phillip Andrew – Creativity Research Journal, 2012
Dada is the infant terrible of art history, an anarchic movement that is typically referred to as nihilistic, pathological, and firmly enshrined within the modernist paradigm and the context of WWI. Through the lens of classical, romantic, and psychoanalytic notions, it certainly appears almost antithetical to creativity. Yet from a cognitive…
Descriptors: Creativity, Art History, Art Products, Artists
Herberholz, Barbara – Arts & Activities, 2011
What makes an artist a great master? Why are some artworks held in higher esteem than others? In this article, the author considers why the contributions and creations of some artists have made it through the years. A short quiz using just a few of the abundant facts and fascinating information found in "The First Time: Innovations in Art" is…
Descriptors: Artists, Art Products, Art History, Books
Herberholz, Barbara – Arts & Activities, 2011
In this article, the author discusses how the view society has taken in regard to the status and role of the artist has evolved over the centuries, and in different countries and cultures. In general, the public has sometimes lacked understanding and has not accepted some of the more avant-garde artworks, while some artists have achieved…
Descriptors: Artists, Status, Role, Cultural Differences
Stewart, Marilyn G. – SchoolArts: The Art Education Magazine for Teachers, 2012
Since the earliest times, humans have made objects--oil lamps carved out of stone to light their way, baskets and pots to hold grain and water, blankets and clothing to protect them from the elements. At some point, their need for the functional was enhanced by their desire for the beautiful. They began to decorate their lamps, pots, baskets,…
Descriptors: Handicrafts, Art Education, Artists, Art History
Dionne, Suzanne – Arts & Activities, 2012
Integrating art with literature and science enhances students' learning and retention. Whenever possible, the introduction of the author's art lessons include a relevant artist, such as Claude Monet. In this article, kindergartners paint a pond and learn how to make water lilies using colored tissue-paper squares. (Contains 4 resources.)
Descriptors: Studio Art, Art Activities, Integrated Curriculum, Artists