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Cordova, Ruben C. – Aztlan: A Journal of Chicano Studies, 2011
The 153 paintings that San Antonio-based artist Mel Casas calls Humanscapes were inspired by a glimpse of a drive-in movie screen. This article treats the first three years of work on this series, a period in which the artist referenced cinematic settings and audiences while registering aspects of the sexual revolution. Marshall McLuhan's…
Descriptors: Artists, Painting (Visual Arts), Art Products, Films
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White, Mark Andrew – Great Plains Quarterly, 2006
In 1939, Texas artist Alexandre Hogue completed "The Crucified Land," a striking comparison of water erosion on a Denton, Texas, wheat farm to the martyrdom of Jesus of Nazareth. "The Crucified Land" was originally intended as the final canvas of Hogue's "Erosion" series, which the artist began in 1932 as a…
Descriptors: Artists, Ecology, Painting (Visual Arts), Religion
Coker, Dolores M. – 1984
Porfirio Salinas has been hailed the best painter of the Texas hill country and its bluebonnets. Born on November 6, 1910, Porfirio's teachers recognized and encouraged his drawing ability. When Porfirio found employment after school in a graphics company that also sold art supplies, he met Robert Wood, recognized for his Texas landscapes, and…
Descriptors: Artists, Biographies, Cultural Background, Mexican Americans
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Cordova, Ruben C. – Aztlan: A Journal of Chicano Studies, 2004
Almazan, a pioneering painter and graphic artist, played a major role in the development of Chicano art in San Antonio. He was admitted into the Men of Art Guild, the preeminent Texas art group, when he was nineteen years old.
Descriptors: Artists, Painting (Visual Arts), Mexican Americans, Biographies