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Fowler, Cynthia – Studies in Art Education: A Journal of Issues and Research in Art Education, 2022
Ralph Pearson's Design Workshop was a center of progressive art education in New York. However, based on the correspondence courses that he developed, he was able to reach artists and art educators across the United States. Women artists and art educators dominated his courses and went on to play an important role in spreading progressive art…
Descriptors: Art Education, Women Faculty, Artists, Art Teachers
Miles, James; Springgay, Stephanie – International Journal of Qualitative Studies in Education (QSE), 2020
This paper seeks to re-evaluate the pedagogical and curricular influence of Fluxus artists who have been under addressed in curriculum studies scholarship. Between the late 1950s and early 1970s this group of avant-garde artist-pedagogues experimented with new ways to think about curriculum and pedagogy in institutes of higher education and in…
Descriptors: Artists, Art Education, Art History, Studio Art
Yige, Munevver Meltem – Arts Education Policy Review, 2019
This article examines the history of art education in Turkey. Since the beginning, the purposes of the arts and art education have been a point of discussion by various authorities. Whether art education should be taught, and how it needs to be taught, have been at the forefront of educationalists' minds. As a result, introducing certain models of…
Descriptors: Visual Arts, Art Education, Foreign Countries, Art
Bolat, Kibar Evren – Eurasian Journal of Educational Research, 2021
Purpose: Conducting contemporary art lessons with a traditional art history view and a chronological approach leads to misinterpretations - and even to prejudices - of contemporary art as it is not progressing chronologically, cannot be assessed within specific stylistic forms and defined with strict lines, unlike previous traditional art…
Descriptors: Art, Art History, Art Education, Action Research
Briggs, Judith – Art Education, 2016
The National Visual Arts Standards (NVAS) present ways for students in the United States to create, present, respond, and connect to the world of art and artmaking. This article focuses on the practices of one visual arts educator, Educator A, who taught in a state-sponsored specialist music high school, guided by the following question: "How…
Descriptors: Foreign Countries, Visual Arts, Art Education, Academic Standards
Art Instructor's Attitude towards the Art Curriculum for Undergraduate Degree in Tehran Universities
Hedayat, Mina; Goodarzi, Mostafa; Kahn, Sabzali Musa; bin Ramli, Sharulnizam – Educational Research and Reviews, 2013
The present research aims to investigate lecturer's feedback over the art curriculum in Tehran, the capital of Iran, and introduce the applicability of Discipline-Based Art Education (DBAE), as a new way of teaching art, and its implication of art instruction in studio-based fields of study for undergraduate degree. This study is carried out based…
Descriptors: Art Teachers, Teacher Attitudes, Foreign Countries, Art Education
Rosenfeld, Malke; Rufo, David; Makol, Suzanne; Greco, Ardina; Flores, Chio; Redman, Jeff – Teaching Artist Journal, 2014
The last two sections (EJ1039315 and EJ1039319) presented stories about specific moments or lessons. Also, situations infused with complexity where the writers had to toggle back and forth between providing the larger context and the details that support readers' understanding of that big picture were presented. In this section each story is…
Descriptors: Art Education, Writing (Composition), Creativity, Studio Art
Daichendt, G. James – Art Education, 2009
"Artist-Teacher" is a powerful and frequently used term in the fields of art, museum studies, art history, and art education. Art educators typically use the term to describe their dual practice or to emphasize the importance of art production in relation to their teaching. In this article, the author reviews historical uses of the term…
Descriptors: Artists, Art Teachers, Art Education, Art History
Green, Denise; Mitchell, Timothy; Taylor, Patrick – Improving Schools, 2011
Mentoring in classrooms allows teachers the opportunity to be motivational tools in the lives of students while operating as role models. The current research shows that mentoring in the art classroom provides stimulation and the momentum to students who are less motivated with creative assignments. The first part of this study looks at the…
Descriptors: Mentors, Studio Art, Elementary School Students, High School Students
Kane, Patrick – Journal of Aesthetic Education, 2010
This study of Egyptian aesthetics interprets the historical and political context of artistic discourse in the early twentieth century. In a period marked by intense struggle between landlords and rural laborers during the Depression and World War II, the author compares the rise of the Egyptian Surrealists, from the late 1930s, and the…
Descriptors: Art Education, Art Teachers, Epistemology, Aesthetics
Al-Amri, Mohammed – Journal of Instructional Pedagogies, 2010
Discipline-Based Art Education (DBAE), a theory developed in the USA, has been influential but also used in Art Education institutions world-wide. One of its stated goals was to develop the quality of teaching art education. Today, it is used as a theory for identifying and assessing good practices in the field of Art Education. The purpose of…
Descriptors: Foreign Countries, Art Education, Higher Education, Studio Art
Hallam, Jenny; Lee, Helen; Das Gupta, Mani – International Journal of Art & Design Education, 2007
This article presents an analysis of the way art is conceptualised in the British primary school curriculum and provides an historical framework that maps an evolution of ideas that have shaped the way art is presented in the modern day primary curriculum. In order to achieve this a Foucauldian style genealogical analysis is utilised to trace the…
Descriptors: Elementary School Curriculum, Art Education, Art Appreciation, Art History
Walling, Donovan R. – Art Education, 2006
Ideas are starting points-for thought, discussion, reading, viewing, writing, and making. The two "brainstorms on paper" presented in this article illustrate how taking an idea and examining it from an artistic point of view can generate thematic starting points to help teachers and students connect the visual arts to ideas that ripple across the…
Descriptors: Visual Arts, Art Education, Art Teachers, Conflict
Chalmers, Graeme – Art Education, 2005
In this article, the author takes a look back at several scholars of the 1960s (Vincent Lanier, June King McFee, and Corita Kent) and their contributions to the discussion of visual culture in art education. He asserts that, though these scholars were not successful in implementing changes within their own time, their ideas provide powerful…
Descriptors: Art Education, Visual Arts, Art Teachers, Teaching Methods
Mayer, Melinda M. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2005
At the same time as the postmodern call to reexamine traditional notions of scholarship blazed new paths through many disciplines, art museum education was a field in transition. From the 1970s through the mid 1990s, the writings of art museum educators revealed changing and contested beliefs regarding their pedagogical purposes. This study…
Descriptors: Postmodernism, Art Education, Museums, Art Teachers