Objects of material culture have meaning. American flags, worktables, bulletin boards, interactive whiteboards, and large white-faced clocks signify "classroom" while color wheels, cupboards, cabinets, sinks, drawing supplies, and that particular scent that lingers after years of exposure to painting materials even more specifically…

Fully updated to reflect current issues in the field of art education. Checklists embedded in charts allow users to indicate where their school or district stands in relation to the criteria--which has been expanded to include district wide, elementary, middle, high school, and superior standards. The criteria within the checklists reflect…

Asperger Syndrome (AS) and autism are two pervasive developmental disorders of Autism Spectrum Disorder (ASD). Individuals with AS may have exceptional speech and language abilities and difficulty establishing friendships with peers. The federal Individuals with Disabilities Education Act (IDEA) states that all American children have the right to…

Art teachers should know about the chemical contents of art materials and understand how chemicals enter the body, what happens as a result, and what can be done to reduce chemical hazards. Three ways in which foreign substances enter the body, i.e., absorption, inhalation, and ingestion, are discussed. (RM)

Describes how author collected scrap materials from manufacturers for use in her art class. Explains how any art teacher can build a similar collection. (KM)

Claims that domestic art or hiddenstream art is not referred to in the art classroom because art teachers have difficulty locating resources. Identifies sources for print and nonprint textiles ranging from local community activities to museum collections. Lists resources for Navajo weaving, African-American quilting, and Amish quilting. (KM)

Describes how a teacher can motivate students to be creative by dressing up, performing for them, hiding things, and designing visual experiments. Advocates that art teachers demonstrate that art class is a playful and exciting place to be. Suggests methods to encourage teachers and students to perform. (KM)

Explains the Artists-in-Education program in Butte, Montana, which exposes students to practicing professional artists. Artists demonstrate and discuss their work, and involve students in projects in their medium. Both students and teachers are exposed to new equipment, materials, and ideas. (LS)

This document is a packet of information for art teachers about the Gorgeous Mosaic, a project being carried out by the classroom art teachers of the world in which students individually draw portraits of the many different types of youngsters there are in their world on small cardboard tiles. The completed tiles are mounted on panels for…

This guide was designed to provide a sequential art program for grades kindergarten through 12 and to assist teachers and administrators in maximizing the use of available resources. The program also reflects recent trends in art education that encourage the development of understanding and appreciation of art heritage, aesthetic perception and…

Describes recent educational history in relation to financial support for art education. Provides suggestions for acquiring art materials, teacher training workshops, and other funding sources. Encourages membership in professional associations and political activism to improve funding prospects for art education. (CFR)

This packet contains information and directions for those teachers or administrators coordinating and implementing the Gorgeous Mosaic Project at their elementary schools, middle schools, or high schools. This packet is to be used with the teacher's packet. The Gorgeous Mosaic is a project being carried out by the classroom art teachers of the…

This booklet contains contributions from experienced art teachers to introduce beginning art teachers to the field. Sections are titled (1) "Plan Plot Scheme," stressing the importance of a flexible lesson plan; (2) "Discipline," providing insights into how and when to take disciplinary actions; (3) "Exhibit," stressing the potential value of…

Contends that art supplies can be obtained from discarded materials in the school, items from home, and other places. Maintains that students' creative supplies are what they save, what they wish for, and what they play with. Presents suggestions for creating art education supplies from a variety of everyday items. (CFR)

Outlines how a museum visit and the Looking/Learning article, "Painting: Neo-Impressionism," ("School Arts," September 1989) were used to inspire sixth grade students to make their own Neo-Impressionist works. Comments on the diversity of the students' techniques in attempting to blend color visually. (KM)