This monograph presents the views acquired over an art educator's 40 years of teaching. Divided into four sections, the book's first section is a basic introduction to the purpose and intentions in writing the book. The second is on philosophical bases and derivative principles. This section contains four parts: (1) democratizing the range of…

This article reviews the changing goals of art education, describes the present status of objectives in the field, and projects some possibilities for the future. (RC)

Because of the move to metrication in the United States, this article is presented to art personnel to alert them to the changes that are most likely to be encountered in the art program with respect to classroom activities and the ordering of materials. (Author/RK)

Maintains that the way arts education assessment, outcomes, and standards are specified has the potential to shape arts education both positively and negatively. Argues that current approaches are fragmented, decontextualized, and inefficient. Recommends a holistic approach combining discipline-based art education with a more intellectually…

Asserts that neither of the two most popular models of art criticism lends itself to a postmodern understanding of the political role of visual art in the late 20th century. Concludes that the historical context model is rooted in historical understanding and that teachers must prepare for this type of instruction. (CFR)

Contends that using art textbooks is a relatively new trend in art education. Reports on a survey about art textbook use among 64 art teachers involved in an in-service teacher education program. Concludes it is important that the art education field encourages, promotes, and supports research on the use of art textbooks. (CFR)

Discusses the dilemmas posed by limited financial support for art education programs. Recommends four strategies for dealing with these problems. Suggests that discipline-based art education, which includes lessons on art criticism and art history, can be employed to provide quality art education. (CFR)

The author offers guidelines for implementing an elementary school gifted visual arts program. One strategy--a station learning experience--is described, the benefits of a yearly art exhibition or art celebration are pointed out, and characteristics of the successful art teacher are mentioned. (SB)

Article is a description of a project in which university student artists, placed in public elementary and high schools, practiced their crafts in view of pupils, and were available to talk with pupils, but did not act as teachers. (RW)

Presents a sequential curriculum in design education focusing on product design embodying conceptual statements to guide instruction. Discusses conceptual statements for primary, intermediate, and middle school levels. Concludes that the study of design must be an integral part of the art curriculum. (CFR)

Suggests techniques for making the art period a creative rather than mundane experience for high school students. Included are hints on beginning the class, preparing materials, conducting the lesson, ending the class, assigning homework, and communicating with students. (SJL)

List steps that art teachers can take to create an organized, factual defense against disproportionate cuts in the district art program. (SJL)

Contends that discipline-based art education requires a broader interpretation of art products and greater credit to the diverse cultures that created them. Describes a collaborative college-museum project focusing on multicultural visual literacy. (CFR)

Asserts that the introduction of the term "critical studies" to British art education reflects art educators' views that the practice of art alone is insufficient to gain a full experience and coincides with a political will to return to traditional forms of content and knowledge. (CFR)

This document discusses the SPECTRA+ approach to education transformation, an effective arts education methodology that changes the way students, teachers, administrators, and parents think in order to create an environment conducive to learning. It establishes conditions that promote learning as a lifelong endeavor. The five major components of…