From 2015 through 2019, the Council of Independent Colleges (CIC) conducted a project that was intended to test the utility of Shared Shelf to the teaching and research needs of small colleges. Shared Shelf (now called JSTOR Forum) made it possible for a collection of material assembled by one faculty member--for example, butterfly specimens--to…

Discipline-Based Art Education (DBAE), a theory developed in the USA, has been influential but also used in Art Education institutions world-wide. One of its stated goals was to develop the quality of teaching art education. Today, it is used as a theory for identifying and assessing good practices in the field of Art Education. The purpose of…

Offers background information on the art form of visual poetry. Suggest that visual poetry occupies an "intermedia" space between linear poetry and the visual arts. (RS)

Presents a discussion of visual poetry in Brazil and 14 examples of visual poetry. Includes 11 selected resources arranged by date and brief biographies of the 14 visual poets. (RS)

Presents a discussion of the history of visual poetry in Cuba and nine examples of visual poetry. (RS)

Presents a discussion of visual poetry in Italy and eight examples of visual poetry. Includes 18 selected resources arranged by date. (RS)

Presents a discussion of visual poetry in Portugal and 18 examples of visual poetry. Includes 24 selected resources and brief biographies of five Portuguese visual poets. (RS)

Presents a discussion of visual poetry in Uruguay and eight examples of visual poetry. Includes 27 selected resources and brief biographies of 9 Uruguayan visual poets. (RS)

Presents a discussion of visual poetry in the United States and 10 examples of visual poetry. Includes 10 selected resources. (RS)

The future of digital imagery has emerged as one of the central concerns of professionals in many fields, yet only a handful of art historians have taken advantage of the profession's unique expertise in the reading and interpretation of images. Art historians need to participate in scholarship defining the roles and uses of digital imagery,…

Examines some problems in teaching art history to students in a fine arts program. Argues that art history should be taught as the history of recurring artistic problems. (Author/RKM)

Rudolph Arnheim combined his knowledge of psychology with a love of art and interest in the artist. This paper describes his deep contact with the work of art in all of his endeavors and his almost single-handed establishment of a psychology of art movement in the United States. Rudolph Arnheim focussed his effort in writing and research rather…

College students in art history courses study African art more frequently than in the past. Textbooks and videos, however, do not reflect the realities of creative expression today in Africa. Rather, African art dwells on the traditional arts of the west and southern regions of Africa. This paper focuses on eastern and southern sub-Saharan Africa…

Describes the nature of intellectual access to digitized art images using qualitative methodologies based on a study at the University of Central Florida. Queries of art historians are analyzed and compared to retrieval parameters and image characteristics, and implications for database design are suggested. (Author/LRW)

Reviews the traditional approach to ceramics education that focuses on studio-based, formalist curriculum and Modernist concerns. Argues for a comprehensive, or contextual, ceramics education in high school classrooms that would include contextual information about ceramic objects. Discusses example ceramic objects by various artists. (CMK)