Contends that children's playfulness with flashlights is an artform suitable to the art classroom. For example, flashlights can become drawing tools or a means of sculpting with forms and light. Discusses works by "flashlight artists" and considers flashlight art history in the classroom. (CMK)

Presents an activity in which elementary students reproduce the artwork, "The Goldfish Bowl," that was originally created by Henri Matisse. Explains that the students utilize the same art technique that Matisse used: decoupage. Discusses the process of creating the artwork in detail. (CMK)

Describes a case study in which third-grade children (n=19) examined a series of images of Ndop statues and visual information from the Kuba people of the Democratic Republic of the Congo using art history constructivist inquiry methods. Presents the results in detail. Includes references. (CMK)

Describes how children six years and older can create plaster friezes. Children were first shown examples and then drew plans before creating their own friezes. (KM)

Presents a collection of activities that teach upper-elementary and middle school students about narrative devices, methods or formats that artists use to tell stories. Includes the reproductions of the artworks, background information, discussion questions, activities, and evaluation. Provides a final activity and discussion for the entire…

Describes art programs that were given at several elementary Australian schools focusing on Christmas and Easter. Explains that the programs are based on the accounts of the birth and death of Jesus given in the Bible. States that the programs integrate studio art, art criticism, and art history. (CMK)

This publication defines and outlines the state of Oregon's common curriculum goals for art education, an area of study that addresses the components of art production, art heritage, aesthetics, and art criticism. An overall goal for each one of these four strands is established, and content specific knowledge and skills that students should…

Describes the history of the Chautauqua Industrial Art Desk, a teaching machine that was created around 1913, and the two teaching guides, "The Home Teacher" and "Child Life," that accompany the desk. Explains that the desk was a response to the industrialization and urbanization of society in the early twentieth-century. (CMK)

Students learned to produce pottery using the coiling and surface decoration techniques of the Pueblo peoples of the American Southwest. In doing so they learned about working within the aesthetic confines of an unfamiliar culture. The history of Southwestern pottery is also covered briefly. (IS)

Describes art education in elementary schools in Japan and the content of their art textbooks. Maintains that the challenges of developing skills, making choices, and learning about the artistic heritage that are offered to Japanese children also should be offered to U.S. children. (KM)

Presents a sequential curriculum in design education focusing on product design embodying conceptual statements to guide instruction. Discusses conceptual statements for primary, intermediate, and middle school levels. Concludes that the study of design must be an integral part of the art curriculum. (CFR)

Explores the evolution of postmodernism and the many differences between modernism and postmodernism. Describes two strategies (authentic instruction and discipline-based instruction) for structuring a postmodern curriculum. Highlights an activity that helped fifth-grade students learn about postmodern art and real-world issues by studying the…

This handbook gives guidelines for setting up an elementary level art appreciation program. The program encourages involvement by staff and parent volunteers, resource persons and presenters and utilizes commercially produced art reproductions. Sample art reproduction selections and schedules are given. An art vocabulary and a time line of world…