This paper discusses the potential of participant art-making as an ethnographic analytic method for materialising otherwise invisible experiences in the everyday lives of people. To describe this methodology, I share examples from a two year project conducted in a photography classroom in the northeastern United States. Teenage participants made…

What happens when a teaching method designed around learning new technologies is applied to artmaking for teens in an art museum? How do technology and traditional artmaking techniques connect in the studio? What role does mentorship play? What happens to participants after they leave the program? These questions are central to this case study,…

This article focuses on the emotions of 13 and 14 year-old students related to visual art education activities. Our aim is to understand the interference of the students' emotions with the processes of the creation and reception of their own pictures, as well as their characteristics in an art education context. The article adopts a Vygotskian…

This article seeks to help teachers design learning experiences that allow students to manage feelings and emotions before they emerge in the form of aggressive behavior. The author's investigation begins by reviewing the findings of theorists who identify linkages between emotional management, the onset of aggression, and the artistic process. He…

In this essay, author Steven Ciampaglia reflects on the creation of a guerilla art course he and a colleague designed to engage students in the process of creating contemporary art relevant to them outside the traditional classroom setting. He examines how reflecting on his teaching practices led him to rethink the key objectives and design…

This report summarizes GENERATE, a pilot research project conducted by 12 artists and their children 3-14. Simply put, these artist/art educator/parents allowed their own children unlimited access to their studios, materials, equipment and workspaces for two years. During that time the children were able to work alongside their parents on making…

This article describes how two African American young adults engage in learning and activism in their Harlem community through employment of art forms. Observations on the reversal of learning--from adults to young people in classrooms and young people to adults in the community--are critiqued.

When visitors enter the offices of the Nellie Mae Education Foundation, they are often taken by the art on display. The collection is striking and vibrant. Like all good art, each piece makes a statement--sometimes quietly, but boldly. When foundation staff proudly tell guests that the exhibit was created by Boston high school students, the…