Defines the scope of research concerning "inscriptions in painting" from a semiotic point of view. Shows that in cases from medieval pictograms to modern new concreteness inscriptions are used to subvert the pictorial content of art works. (RS)

Explores the difficulties of combining aesthetic experience and educational settings. Postulates this is due to the nature of aesthetic experience as well as the art object itself. Argues that art metaphorically discusses not what is, but what develops and implies a relativistic, adaptive, temporal concept of truth. (CH)

Traces and analyzes the societal forces which have affected non-Indian interpretations of Northwest Coast Indian art from its acceptance as art in the 1930s to the shamanic and structural interpretations of more recent years. (CM)

Describes Jan Gossaert's painting of "St. Luke Painting the Virgin" and shows how it encompasses the intellectual pattern of early sixteenth-century thought. Discusses the arguments for and against the making of religious images and how artists overcame the potential threat to their livelihood from church authorities. Analyzes Gossaert's…

Describes aesthetic views and shows how historical context and criticism are crucial for an understanding of aesthetic objects and experiences. Views education and art as providing a meaning for life. Suggests ways in which the author's theories and E. D. Hirsch's provide meaning for Sisyphus's life. (KM)

Describes different theories of art and how they disagree on the question of the way that artworks relate to the circumstance of their origins and use. Discusses how these circumstances influence the way one thinks about artworks. Considers where E. D. Hirsch's ideas on cultural literacy fit into this aesthetic controversy. (KM)