This article describes an international classroom partnership with twenty-eight 5-to 7-year-old Canadian and Tanzanian children, and outlines the meaningful ways they were involved in the research process. In this project, the children shared their valued school-based experiences and environments through multiple self-chosen modes. The children's…

This article embraces the developing discourse around Deaf and disability art and uses it to recognize and discuss the art produced out of Project Re·Vision's (Re·Vision) arts-based research workshops--multimedia storytelling workshops and theater workshops with D/deaf and disabled people--and think through the role these workshops played in the…

This is an autoethnographic reflection of teaching Aboriginal art as a non-Aboriginal person. Over a period of ten months, a class of grade seven students was led through an inquiry into Aboriginal art including research and the creation of individual and group art pieces. The evolving curriculum was shaped by considerations of respect for…

Our arts-based curriculum encounter occurred in a graduate course on arts-based research methods. For a class project we engaged in an inquiry on the question: "What does it mean to live on this land?" which we explored through various arts-based activities. The question challenged us to think deeply about our relationship with and…

Adopting the lens of "new histories" as the basis for my inquiry into the institutional legacy of the art program at Toronto's Central Technical School (CTS), I created a methodological framework informed by the traditional art form of the polyptych, in which many panels are joined together to show and tell multilayered stories connected…

Migrant agricultural workers are not only on the margins of Canadian and global food systems; they are also on the margins of public consciousness about the labour behind the food we eat. Even local food movement groups who advocate for both social justice and sustainable food production have not made migrant labour a priority concern. Popular…

The following research study presents data drawn from an arts-based qualitative research study from 2013. Students created artistic interpretations of biblical texts using a variety of media. One of the significant findings of the study was that learning through the arts provided students with an opportunity to take on the role of parshan, or…

In 2007, Simon Fraser University's satellite campus in Surrey, British Columbia, received an Official Languages Dissemination Grant from the Social Sciences and Humanities Research Council of Canada to examine the role of official bilingualism in the multilingual context through installation and performance art. This essay considers the processes…

Describes the AMICO (Art Museum Image Consortium) Library, a digital database that includes works of art from museums in the United States and Canada whose images are licensed to educational institutions. Discusses quality; uses for studio art and art history; search capabilities; interdisciplinary uses; cultural works; and information included…

A critical analysis of recent elementary arts curricula from Quebec, Saskatchewan, British Columbia, and Ontario (Canada) relies on the discussion of transmission, transaction, and transformation of J. P. Miller and W. Seller (1990). Problematic issues about expectations of art education and instruction are explored. (SLD)

Provides information on the Group of Seven, a famous group of Canadian landscape painters, of which Arthur Lismer is a member artist. Includes activities that accompany Lismer's painting "Isles of Spruce," which is reproduced here. Discusses the painting, noting its use of repetition. (CMK)

How the essentially imaginative nature of artistic production and appreciation influences the art teacher's role is discussed. Working with six high school art classes, a conceptualization of imaginative art teaching was developed to guide the qualitative investigation of art teaching. A case study illustrates the application of this…

Addresses the cooperation between the Centre for Canadian Contemporary Art (CCCA) and Confederation High School in Nepean (Ontario) focusing on student involvement within the CCCA project. Highlights the students' efforts to promote the CCCA's corporate image by creating a logo for letterheads, envelopes, and business cards. (CMK)

Maintains that the prevalent view of multiculturalism assumes that culture is portable and transferable from generation to generation within each cultural group. Argues that this view poses a narrowly defined cultural identity. Describes one child's attraction to and understanding of other cultural groups through visual art. (CFR)