This article describes an international classroom partnership with twenty-eight 5-to 7-year-old Canadian and Tanzanian children, and outlines the meaningful ways they were involved in the research process. In this project, the children shared their valued school-based experiences and environments through multiple self-chosen modes. The children's…

With its ambient, interesting and dynamic use of materials, alternative views of materials and objects, with its playfulness and affecting different senses contemporary fine art can be very interesting for art-educational work. Due to its complexity, however, it suffers from misunderstanding, retreat, and last but not least also fears both among…

The purpose of this research was to carry out an interdisciplinary art education activity with Turkish coffee and to evaluate the views of prospective teachers. For this aim, an integrated single case study design with a qualitative research approach was used. The study group consisted of twenty prospective social studies teachers. A questionnaire…

Images of objects produced by Native-American cultures are frequently found as curriculum resources in classrooms across the United States. It is important that objects from various cultures be introduced into mainstream classrooms. However, it is equally important that the introduction be handled in a way that is not demeaning to the culture that…

Scrounging, cooperation, and resourcefulness have made pottery the most popular--and the most visible--art class in a Missouri high school. The pottery course is described. (RM)

This document reports on a course in comprehension and application of various techniques of sculpture and collage, using a contemporary point of view. Students will work with contemporary materials such as wood, metals, plaster, plastics, styrofoam, and many other cardboard basic materials suitable for creative design products. This unit will…

Taking UNESCO's proposal "learning how to live together" as a starting point, we examined to what extent visual education can be used as a tool to promote the aims of intercultural education. We analyzed the power of using artistic images from different cultures to change students' perception of cultural differences, thereby facilitating…

Reports the results of a two-year case study of 144 third and fourth graders' art materials preferences. Results indicate that the students preferred different media for different reasons, with favorites being clay, craypas, felt-tipped pens, and cardboard or wood. Maintains that art educators should take into account students' perceptions about…

Teacher prompted his students to think inventively toward new methods of controlling paint on paper. (Author/RK)

Contends that art supplies can be obtained from discarded materials in the school, items from home, and other places. Maintains that students' creative supplies are what they save, what they wish for, and what they play with. Presents suggestions for creating art education supplies from a variety of everyday items. (CFR)

Presents the author's personal experiences teaching art to Australian children of Vietnamese background. Most Vietnamese art students feel most comfortable with a formal approach to schooling and to artwork. Understanding students' culture assists the teacher in planning projects that affirm their skills and talents. (SLD)