Materials, making, and objects are important parts of an ecology of meaningful learning and teaching in art that must accompany the development of concept and social impact. New materialist theory suggests that matter matters to how life is lived, while emphasizing that animacy is inherent not only to what we think of as animate beings but to all…

In this article, the authors argue that the art-historical canon, however it is construed, has little relevance to the selection of objects for museum-based teaching. Their contention is that all objects are fundamentally agile and capable of interrogation from any number of disciplinary standpoints, and that the canon of museum education,…

The work described and shown in this article was produced by Elementary and Special Education majors participating in an art course for college credit prior to entering the teaching profession. They combined creative concepts with the use of papier-mache. (Author/RK)

When Charles S. Johnson was president of Fisk University, he used the university's art collection as a tool for the advancement of the university and as a major part of an environment that nurtured intellectuals and leaders in the African American community. This historical study used interviews and secondary sources to focus on the value of art…

Suggested is an alternative to the traditional ceramics instruction which uses prewedged and prepackaged clay and highly sophisticated kilns: begin with the digging of clay and end with the construction and firing of a trench kiln. (KC)

Methods for determining the coverage allotted to art materials are outlined with emphasis on: determination of stock, sources of art materials, training an art department staff, and satellite and related materials. (LBH)

Presents an interview with Jeff Rouse, a dentist and sculptor, in which he shares his history, his artistic development, the evolution of his work, and an overview of the process of creating bronze sculptures. Includes directions for sculpting a mouth and creating a bronze sculpture. (CMK)

Painting cloth with crayons is suggested as a challenging art project, especially for students who have difficulty with the complex tools and processes typical of more advanced textile work. Instructions are given for creating decorative banners with this technique. One of seven articles in this issue on fiber arts. (Author/SJL)

Papier-mache, plaster, and foam are inexpensive and versatile media for 3-dimensional classroom and studio art experiences. They can be used equally well by elementary, high school, or college students. Each medium has its own characteristic. Papier-mache is pliable but dries into a hard, firm surface that can be waterproofed. Plaster can be…

Methods for developing effective inventories for a college store art department are discussed and illustrated. Both on-campus course needs and needs prompted by the local community are considered. (LBH)

Describes a color theory class at Memphis College of Art (Tennessee) that uses computers to stimulate student interest. Notes that computer knowledge and skills are becoming essential for the graphic art student. Suggest that the computer is another tool, much like the printing press, the Jacquard Loom, and the camera, to be utilized by the…

Describes solution spectrophotometry as a simple, rapid identification technique for organic paint pigments. Reports research which includes analytical schemes for the extraction and separation of organic pigments based on their solubilities, and the preparation of an extensive reference collection of spectral curves allowing their identification.…

Includes information on: (1) relationship of art and science; (2) paintings' early history; (3) Egyptian, Greek, Chinese, Byzantine, and Medieval painting; (4) chemical analysis of pigments; (5) chemistry of early pigments; and (6) paint media. Tabular data are provided on chemical names for artists' pigments with their earliest known dates. (CS)

Focuses on the chemistry of fibers commonly used by artists. Presents information regarding the reactions of these fibers to dyes, bleaches, solvents, and other selected agents of design. Tables provide a classification of natural and manufactured fibers, characteristics, chemical formulas and reactions of selected fibers, and characteristics of…

Provides a brief history of natural dyes. Chemical formulas are provided for flavonoids, luteolin, genistein, brazilin, tannins, terpenes, naphthoquinone, anthraquinone, and dyes with an alkaloid structure. Also discusses chemical background of different dye processes. (CS)