In this article, the authors focus on the degree to which women artists have been brought into the mainstream of art history by art historians in their textbooks. They then examine the characteristics of art historians who have been most and least likely to admit women into their versions of art history, and discuss how the definition of art…

In the words of Ralph A. Smith, "We can now discern the outlines of the problem: how to acquaint students with the aesthetic form of life in a manner that is not only ethically acceptable but also theoretically justifiable and pedagogically promising." This essay interrogates conventional assumptions about applications of art history in…

This article discusses Dr. Amalia Amaki and her approach to art as her signature style by turning everyday items into fine art. Amaki is an assistant professor of art, art history, and Black American studies at the University of Delaware. She loves taking unexpected an object and redefining it in the context of art--like a button, a fan, a faded…

The aim of this article is to reconsider the (age old) problem of relating theory to practice in art education by placing it within the largely ignored context of improvisation. In so doing it is hoped that some of the well-known "difficulties" art practitioners have when confronted with the (usually mandatory) history and theory components of…

In 1939, Texas artist Alexandre Hogue completed "The Crucified Land," a striking comparison of water erosion on a Denton, Texas, wheat farm to the martyrdom of Jesus of Nazareth. "The Crucified Land" was originally intended as the final canvas of Hogue's "Erosion" series, which the artist began in 1932 as a…

This kit looks at 10 works of art from ancient to modern times and explores their myths, histories, artistic styles, and stories about art and artists. The kit includes goals and background information, 10 slides with slide presentation, art and writing activities, 5 laminated reproductions, and a bibliography. Activities are related to the 10…

This article reviews several movements in late 19th and early 20th century art and psychological research that are related to the early Greek method of proportional analysis generally known as the Golden Section. The document discusses the work of the artist Jay Hambidge on the nature of Greek art and design and his theory of dynamic symmetry.…

Problems in the documentation of the history of fine arts in Japan are explored through a description of the influences of personalities and institutions in the historical study of Japanese art, a survey of the literature and documents involved, and the relationships between museum and library documentation procedures. Suggestions offered for the…

Alma Reed, a Californian who became a noted figure in Mexican art history, was a bicultural individual who introduced famed Mexican muralists to the United States art world and who became a legendary figure in Mexican folklore from the 1920s through the 1960s. This paper traces her career. (JB)

Describes Getty Center for Education in the Arts, which espouses the ideas and skills of art production, art history, art criticism, and aesthetics and involves four activities related to the visual arts: (1) creating art, (2) perceiving and responding to art works, (3) understanding the place of art in culture and history, and (4) making reasoned…

Reports a study of doctoral dissertations on studio education published in the United States between 1964 and 1985. Among the trends noted was an increase in descriptive, historical, and interdisciplinary research. (BSR)

Onfim's drawings, discovered in a medieval town in northern Russia in 1951, are the earliest known child drawings in existence. The history of these early 11th century drawings is described here by a Russian archaeologist. (RM)

For more than two thousand years, the painted image has been critical to the culture of the West. At the beginning of the 21st century, however, painting sits quietly in a small corner and is, for the most part, ignored. Museums increasingly devote their contemporary exhibition space to "installation art," as opposed to discrete objects…