Describes how two approaches to learning in art--art history and art criticism--can enable high school students to learn a great deal about, and from, a work of art. The article also discusses what an art historian does and then compares this to what a critic does. (AM)

"Contextual areas" employ models, replicas, artwork, art materials, tools, interpretive panels, and interactive computer installations to help visitors explore the historical and cultural context of 6 of 12 works of art at the "Art Inside Out" exhibition in the Kraft General Foods Education Center of the Art Institute of Chicago. (MDH)

Offers background information on the art form of visual poetry. Suggest that visual poetry occupies an "intermedia" space between linear poetry and the visual arts. (RS)

Presents a cooperative learning activity for history or art classes in which students use knowledge rather than money to bid for important works of art. (SR)

Presents an informal discussion with composer John Cage which includes his response to George Maciunas' work, his recollections of Marcel Duchamp, the complex relationship between inelegant material and revealing works of art, neo-Dada and neo-Fluxus, Wittgenstein and the artist's ultimate responsibility to initiate a change in the viewer or…

Describes a computer program that gives Fluxus exhibition attendees an opportunity to experience the Flux objects in the spirit in which they were originally created. Suggests that the computer program provides a virtual approximation to the original art works without damaging them. (RS)

Defines the scope of research concerning "inscriptions in painting" from a semiotic point of view. Shows that in cases from medieval pictograms to modern new concreteness inscriptions are used to subvert the pictorial content of art works. (RS)

Argues that Fernand Leger avoids the mimetic use of literary elements in order to subvert the conventions of the illustrated book and subordinates meaning to a graphic interplay where word and image can, on occasion, become interchangeable. States that Leger subverts the borderline between readable and nonreadable, lyric and painterly. (RS)

Notes that Jules Kirschenbaum, a modern American artist whose work integrates inscriptions and figurative painting, studied under the masters of abstract expressionism yet exhibited with protagonists of "magic realism." States that his later work took a wholly different turn--it became art about meaning and the "meaning of…

Traces how broad, historical, conceptual frameworks established by Arthur Efland continue to be useful in categorizing contemporary arguments on the form of art education. Contends that many popular justifications for art education lack a solid epistemological rationale. Advocates an approach to art education as a study of reasoned perception.…

This article describes the artistic carving, "Period Room from Damascus." The room dates to the early eighteenth century, reflecting the tastes of Syrians under Turkish Ottoman rule. The article highlights notable historical, cultural, and artistic elements about the room and provides questions to consider.

There is a dominant history of art and design education in Britain. This has been established by five books published in the 1960s and 1970s. They are Quentin Bell's The Schools of Design (1963), Gordon Sutton's Artisan or Artist(1967), Richard Carline's Draw They Must(1968), Stuart Macdonald's The History and Philosophy of Art Education (1970),…

Egyptian artifacts and treasures mesmerize nearly all museum visitors. A careful look at ancient Egyptian art can tell us a great about Egyptian culture and artistry. The ancient Egyptians believed that in the afterlife, the spirit (or ka) of the deceased returned to the body. It was important for the body to be preserved to ensure that the ka had…

The Rhode Island State House in Providence is an imposing structure. It is also an architecturally significant one. Built of white Georgia marble between 1895 and 1904, it has one of only four self-supporting marble covered domes found in the world. It was placed in the National Register of Historic Places in 1971. Looking around, one encounters…

Artemis is a late Hellenistic Greek marble sculpture of the huntress, running in a flowing garment, now lacking arms, legs, and head, and about three-quarters life-sized. The llama is a remarkable hollow male figure of smooth thin gold, and about two inches tall, and was made by the Inca before the Spanish conquest in 1532. This narrative is just…