Focuses on the pointillist painting process offering background information about technique and how it can be used in the art classroom. Explores the appropriateness of the process for elementary through secondary school students. Includes educational objectives. (CMK)

Brushwork is the essential characteristic of Chinese painting. Ink and brushwork provide the foundation of Chinese pictures, even when color also is used. In the quality of the brushwork the artist captures the spirit resonance, the raison d'etre of a painting. In China, painting and writing developed hand in hand, sharing the same tools and…

A group of American scholars who visited the People's Republic of China in October and November of 1977 to study Chinese paintings report on their trip. The purpose of the report is to provide information and insights which will be useful to other scholars in the field and which will help promote the development of strong ties between U.S. and…

Afrofemcentrism--Afro-female-centered consciousness in the visual arts--has found its ideological and aesthetic fruition in the sculpture of Elizabeth Catlett and Faith Ringgold. They depict Black women's realities and portray Black women as primary, active, and real-typed. (BJV)

Outlines three methods of introducing original paintings to young children: narratives, finding a consensus, and building on a shared experience. Analyzes the childrens' verbal and artistic responses. (KM)

Describes how students selected a famous artist for every letter of the alphabet. Using Gothic style letters, each student drew or painted in the style of their artists within the outlines of their letter. (KM)

Describes how third grade students learned about fresco paintings in Pompeii and made their own frescoes by pouring plaster into styrofoam trays and painting the surface. Students discovered they could control the paint better because of the porous surface of the plaster. (KM)

Contends that a work of art may have more than one story to tell and that the full meaning requires knowledge of the artist's background and culture. Presents four classroom lessons based on three paintings and a beaded belt. Includes full-page color photographs of the art works. (CFR)

Justifies examining still-life pictures of flowers to provide students with an opportunity to learn how one distinguishes between deeply artistic pictures full of emotion and pictures lacking this quality. Claims that students will develop their own artistic expression. Offers pictures by Diego Rivera, Watanabe Shiko, Consuelo Kanaga, and Rachel…

Focuses on the painting done by John Sloan called "Grand Central Station" and provides background information on the subject matter and the artist. Includes projects in social studies, language arts, mathematics, and visual arts appropriate for upper-elementary through high school students. (CMK)

Presents a lesson plan that enabled students to create their own portraits in the style of Pablo Picasso; students utilized their initial collages/drawings, enlarging them with an overhead projector, to paint their final products using oil pastels. Indicates the students also learned about the different "periods" of Picasso's artistic…

Sacred women have been portrayed throughout the history of India and Southeast Asia. Some were depicted as consorts to the Hindu gods and regarded as the necessary force that activates male energy. Other images arose out of local fertility cults and represented uncontrolled feminine energy that could be terrifying in aspect. The calmer Buddhist…

In 1899, the Committee of Ten on Drawing, organized by the National Education Association, proposed that one of the main goals of art education should be "to offer a consistent development in the faculty of sight." Art appreciation was centered on the literal translation of the painting. Importance was placed on connecting the painter's…

Chronicles the personal and professional life of Lois Mailou Jones, a Black woman painter who blends Western and non-Western aesthetic traditions in her art. The influences of Haitian and African native traditions on her work are discussed. (BJV)

Describes a National Endowment for the Humanities summer seminar during which 15 public school teachers were exposed to new ideas concerning the use of art in their classrooms. Discusses the organization of learning experiences and the benefits derived through participation. (KO)