Examines the "picture study" movement which began in the late 1800s and faded during the 1920s. Focuses especially on the work of Oscar Neal, a leading picture study advocate. Attempts to show how the aesthetic theory, beliefs about art, social assumptions, educational limitations, educational beliefs, and technology of the time interacted to make…

This report of the Commission on Preservation and Access Seminar on Scholarly Resources in Art History provides a brief overview of the major concerns and assumptions of the seminar. Seminar discussions are then summarized in the following areas: (1) brittle books, including the deterioration of valuable research tools and primary sources and the…

"The Ring Toss," a gum-print six-by-eight-inch photograph produced in 1899 and first published in 1903, has become one of photographer Clarence White's most noted images. It is an example of soft focus, or fuzzy pictorialism, a type of American art photography most practiced around the turn of the century. This analysis of the photograph…

Describes four approaches to art historical scholarship, including iconography, and identifies the common characteristics of several iconographical research collections. Topics discussed include the reasons for the limitation of some collections to secondary subject matter, and future directions in subject access to iconographic research…

Provides background information on Arnold Newman focusing on his photograph of Theodor Seuss Geisel (Dr. Seuss) that was selected for its facial expression. Includes activities and a reproduction of the photograph. Offers information about the photograph. (CMK)

Focuses on the use of the art technique called watergraph in which students use watercolor to paint over photographs. Provides three examples of how teachers used this process with their students, including creating self portraits inspired by the work of Edgar Degas. (CMK)

Questions the origin of design history and its relationship to art history. Maintains that design historical knowledge is produced, and it must be acknowledged that there are design histories and not one monolithic body of knowledge. (KM)

Provides a discussion on entrance designs to interest students in the history of architecture. Focuses on reasons why studying entrances is important. Includes pictures of four different entrances to show students the diversity of entrances and offer examples to give student ideas for their work. (CMK)

Discusses the role of visual images in the classification of art objects and the research needs of art historians in the context of the design of current printed resources and online databases in this discipline. The topics covered include the need for illustrated online reference works and appropriate indexing for access to bibliographic sources.…

Describes the development of a retrieval system which used an interactive computer and an intelligent videodisc system to locate materials in the art school slide library. A survey of faculty, staff, and students indicated that user reaction was favorable, although image quality did arouse major concern. (MER)

Describes an art history project used with fifth-grade students where they selected a famous painting as a background for a self-portrait. Explains how the students used Adobe Photoshop to place a digital photograph of themselves into a scanned image of the artwork. (CMK)

Describes the transition of the Getty Center Photo Archive from a museum library serving a select curatorial clientele to a major art research library, and the resulting need to devise new cataloging schemes. The discussion covers efforts to reconcile existing cataloging formats with MARC formats. (CLB)

Justifies examining still-life pictures of flowers to provide students with an opportunity to learn how one distinguishes between deeply artistic pictures full of emotion and pictures lacking this quality. Claims that students will develop their own artistic expression. Offers pictures by Diego Rivera, Watanabe Shiko, Consuelo Kanaga, and Rachel…

Examines the way first-year public high school students drew the human figure from life, photographs, and copies of master drawings. Finds that the three referents were not significantly different in supplying information to learn specified art elements. Maintains that drawing from life needs to be reexamined. (KM)

Presents photographs and short biographical sketches of notable Black women artists past and present, including the following: Elizabeth Taylor Greenfield, Leontyne Price, Florence Price, Ann Lundy, Katherine Dunham, Pearl Primus, Michelle Paterson, Augusta Savage, Glenda Y. Hooker, Marie L. Moore, Varnette Honeywood, Meta Vaux Warrick Fuller,…