This article explores the possibility of linking essential skills within elementary content areas to Algozzine and Ysseldyke's model of effective instruction. Specifically, suggestions are offered for using handwriting and art to express ideas and feelings. The suggestions address the teaching principles of motivating students and providing…

Profiles a course that challenges college seniors to gain new perspectives, skills, experiences, and insights into their own creative and imaginative processes. The course uses the work of Joseph Cornell who constructed enigmatic, box-like assemblages from found objects. Students construct their own boxes and consider future applications of this…

Describes an art project that constructed a realistic model of a frozen prehistoric cadaver including its clothing and tool kit. Originally conceived as a way to introduce students to art materials, ancient history, and different cultures, the project grew to include a traveling exhibit and instructional puppet shows. (MJP)

This 1993 annual report describes the Urban Gateways' efforts to bring creative and performing arts into the schools. Designed to enhance school-community relations and increase participation in the arts, Urban Gateways advocates arts experiences as a way to develop the creativity, expressiveness, self-confidence, and conceptual and…

Maintaining that the arts are composing activities and--like talking and writing--powerful ways of making meaning, this book discusses teaching English through the arts. The book provides a brief theoretical and historical basis for its fundamental approach and presents 29 instructional strategies that classroom teachers who do not have special…

One hundred eight children in grades two to four (ages 7 to 10) whose reading level was one to two years below grade level participated in this program. The Creative Reading Program for the Children's Art Carnival funded under the Elementary and Secondary Education Act Title I had as its purpose the teaching of reading and other communication…

Guidelines for art education at the elementary through upper grade levels provide guidance and encouragement for students without excessive correction and evaluation procedures on the part of teachers. Elements of a picture and general approaches to teaching art emphasize creative and imaginative expression and skill development. The main body of…

Attempts to document the process of being immersed in the discipline of visual art making by presenting excerpts from an artist's studio diary. Includes post-diary commentaries on the excerpts and a discussion of how this process informed the artwork. Includes photographs of artworks produced during this period. (MJP)

Outlines how a museum visit and the Looking/Learning article, "Painting: Neo-Impressionism," ("School Arts," September 1989) were used to inspire sixth grade students to make their own Neo-Impressionist works. Comments on the diversity of the students' techniques in attempting to blend color visually. (KM)

Develops a multimedia approach for teaching color theory suitable for grade four through adult. Students select the hue, value, and degree of translucence they wish to work with and through a combination of crayon work and tissue collage, create a multicolored plaid. Outlines materials, art concepts, and process involved. (KM)

Suggests that elementary teachers and student teachers should use media resources to supplement their knowledge and as references for ideas. Examines the process whereby art education students study articles from "School Arts" to extend the ideas presented and to practice adapting them to different grade levels by creating printmaking…

Explores misconceptions about the place of the arts in early childhood education. Notes that children's creativity usually flourishes in a play-like atmosphere where children have the time, materials, opportunity, and social support to experiment. Suggests three ways to facilitate children's artistic growth and creative expression, and includes a…

Presents four examples of Afro-American art by Augusta Savage, Lenwood Morris, William H. Johnson, and Romare Bearden. Describes their lives and artistic objectives. Suggests study questions and art activities. (KM)

Presents lesson plans designed for secondary students that assess the role of naturalistic representation in twentieth-century art by examining the artwork of four artists: Pablo Picasso, Rene Magritte, David Smith, and Jackson Pollock. Provides background information on each illustration, and outlines discussion and art production activities for…

Highlights similarities and differences between the art making of normally developing and mentally retarded individuals. Defines pathological art as outsider art that can never be creative in the sense of relating to the artistic domain and engaging in a creative dialog with other artists that shape that domain. (MJP)