Describes a self-portrait assignment inspired by the work of Frida Kahlo. Discusses Frida Kahlo's artwork and use of surrealist and symbolist views. States that each student had to incorporate personal symbolism in the portrait to convey a message about him or herself in a subtle manner. (CMK)

Explains that creating color wheels is an appropriate assignment in the art classroom for students of all ages, including high school students, because it still offers older students a challenge. Discusses how students can create color wheels and lists the materials that are needed. (CMK)

Interviews Robert Barrage, a corporate industrial designer turned painter, who discusses his art degree, career change, his daily schedule, where he gets ideas for his work, how he creates his paintings, his teaching experiences, and ideas about teaching art to children. (CMK)

Discusses a type of visual art called grotesque art and includes four different examples of grotesque art: (1) the painting "Head of Medusa" by Peter Paul Rubens; (2) Rangda, the widow witch from Bali (Indonesia); (3) totem poles; and (4) grotesque sculptures from the Cathedral of Notre Dame (Paris, France). (CMK)

Gives an art activity for second-graders where they use two art techniques, tissue gluing and tempera painting, to create brightly colored pictures of landscapes. Expounds that first the students examine a variety of landscapes by different artists, such as Paul Cezanne, and then learn the differences between the foreground and background. (CMK)

Provides background information on George Inness and includes a reproduction of his work of art titled "Delaware Water Gap." Includes classroom activities. Examines this painting, which was one of Inness' first using his revised painting style. (CMK)

Discusses how homage has been the subject of works of art throughout history. Provides examples of artists who used homage as inspiration for artworks, such as Raoul Dufy's "Homage to Mozart," Herbert Ferber's "Homage to Piranesi, I," and Jose de Rivera's "Homage to the World of Minkowski." (CMK)

Presents an art lesson used with sixth-grade students which also can be used with other grade levels. Explains that the artwork of Wassily Kandinsky served as inspiration for this lesson. Explains that the students learned about abstract art and used watercolors to create their own paintings in the style of Kandinsky. (CMK)

In this volume a painter and an art historian explore the production of studio and classroom art in education. Part 1 consists of 6 chapters in which painter, Maurice Brown, discusses the relationship between image makers and language; examines the medium of oil; looks at style, impulse, eclecticism, and color; probes the personal experience of…

The study of Native American rock art should be more fully incorporated into art education and art history curricula, especially at the precollege level. Rock art is a sensitive reflection of the culture from which it sprang, it provides one of the most direct links with ancient lifeways and ideas recorded by early ancestors, and as a form of…

THIS CURRICULUM GUIDE SUGGESTS THAT THE OBJECTIVE OF ARTS AND CRAFTS ACTIVITIES FOR EDUCABLE MENTALLY RETARDED CHILDREN IS TO PROVIDE ENJOYABLE ACTIVITIES AS WELL AS TO TEACH SKILLS, SOCIALLY ACCEPTABLE ATTITUDES AND HABITS, AND SELF ESTEEM. AN OUTLINE FOR A UNIT OF ACTIVITY IN HANDCRAFTS IS PRESENTED. MORE THAN 85 ARTS AND CRAFTS IDEAS, COMPLETE…

Chronicles the life of the author, a Black woman artist, from 1974 to 1979. The essay covers her years in Tampa from 1974-77, her Artist in Residency at Howard University from 1977-78, and her preparations in 1978-79 to leave for Paris, where she would live and work until 1985. (BJV)

Chronicles the career of Faith Ringgold, a Black woman painter, sculptor, and performance artist. An extract from Ringgold's autobiographical narrative, "Being My Own Woman" is included. (BJV)

Describes a project about narrative in art that combines a study of art history with art reproductions. Explains that the students create before and after pictures on postcards for famous works of art. States that students were asked to choose an artist such as Norman Rockwell, Edward Gorey, or Jonathan Green. (CMK)

Describes an art lesson used with children in the third grade to help them learn about symmetry, as well as encouraging them to draw larger than usual. Explains that students learn about the belief called "Horror Vacui" of the Northwest American Indian tribes and create their interpretation of this belief. (CMK)