Focuses on Thomas Hart Benton, describing his house and studio in Kansas City, Missouri. Considers issues such as his life as the child of a congressman, his formal and informal art education, and his artwork. (CMK)

Provides information on Penelope Siopis and offers a list of activities that can accompany the study of Siopis and her painting "Unrequited." Includes a reproduction of "Unrequited" and a detailed discussion on the painting itself, addressing her techniques, her various influences, and the painting's subject matter. (CMK)

Describes a watercolor lesson based on autumn leaves. Discusses the process, including but not limited to initial thumbnail sketches, how to start the paintings, and how to paint actual leaves onto the preliminary surface treatment. (CMK)

Focuses on individualized expression resulting from ideas and skills that have developed over time. Describes how students first drew a group of people, then used values and added background details, and finally enlarged the drawings demonstrating their own ideas. (CMK)

Provides various activities that museum docents use to help students "see" rather than "look" at art objects. Ideas include playing a looking game, using the five senses to describe the painting, creating stories about the art object, and having a treasure hunt while visiting a museum. (CMK)

Explores four artistic classifications prominent in depression-era art examining and contrasting examples of each: (1) Regionalism; (2) Social Realism; (3) American Idealism; and (4) Anti-Fascism. Focuses on artworks by the artist Seymour Fogel because his work demonstrates that Regionalism and Social Realism were not mutually exclusive and that…

Provides background information on Grant Wood who was a Regional artist. Includes a list of various activities and a reproduction of Wood's painting "Spring Turning." Explores the characteristics of Wood's art that appear in this painting, such as stylization and the use of landscape views high above normal eye level. (CMK)

Presents a lesson where the students painted water scenes instead of creating traditional landscapes featuring houses, trees, and mountains. States that the students developed their composition and painting skills along with increasing their sense of beauty and imaginations. Discusses the process of creating the waterscapes in detail. (CMK)

Presents an art assignment for beginning painting students in which they paint a self-portrait in the style of the German expressionists and intimate the mood through colors. Explains that the students viewed color reproductions of work by German expressionists and aspects of art history related to the German expressionists. (CMK)

Presents a photo essay that visually narrates the workshop that took place in State College, Pennsylvania, from October 19-24, 1998 bringing together middle and high school students with Tim Rollins, who is a conceptual artist and educator, and Kids of Survival (KOS). (CMK)

Introduces the topic for the next Clip and Save Art Print series: unique regions of the North American continent. Includes three paintings, with background information, on this topic. Discusses the format and use of the Clip and Save Art Prints. (CMK)

Provides background information on Emily Carr, who is considered one of Canada's greatest painters. Includes a reproduction on her artwork titled "Vanquished" and presents ideas for activities. Explains that "Vanquished" reflects the collapse of the North American Indian civilization along the coast of British Columbia. (CMK)

Describes an art assignment used in an oil painting class in which the students create a nonrepresentational painting using acrylic paint. Explains that the second stage of the assignment involves students in finding a face in this first painting and using oils to create the face on top of the original artwork. (CMK)

Presents an art lesson used with sixth-grade students in which they painted their school mascot (a tiger) in the style of a famous artist. Explains that students selected an artist, such as Andrew Wyeth or Edvard Munch. Describes how the students created their tigers. (CMK)

This study extends previous work in the use of descriptive reinforcement procedures to increase productivity of new forms in artwork. Subjects were four kindergarteners who demonstrated an absence of diverse forms in their paintings. Results indicated that form diversity was improved and that the improvement lasted over time. (SJL)