Focuses on the exhibit, "The Artful Teapot: Twentieth Century Expressions from the Kamm Collection," that features artwork of teapots from the collection of Gloria and Sonny Kamm. Includes examples of the artwork and an itinerary for the exhibit. (CMK)

Discusses various art movements that include examples of artworks with movement, such as Romantic, Classic, Rococo, and Art Nouveau. Addresses ways in which students can learn to incorporate movement into their own works of art. Includes examples of artists who included movement into their artworks. (CMK)

Provides background information on the life and career of Frederick Carl Frieseke, an artist who painted in the style of impressionism. Explains that this artist is the focus of a retrospective exhibition entitled, "Frederick Carl Frieseke: The Evolution of an American Impressionist" at the Telfair Museum of Art (Savannah, Georgia). (CMK)

Provides background information on the Impressionism movement. Discusses the life of U.S. artist, Frederick Childe Hassam, and describes the content and techniques used for his painting, "Lower Manhattan." Includes suggestions for class activities and a reproduction of his artwork. (CMK)

Describes an art class flower painting project influenced by the book, "Georgia OKeefe: One Hundred Flowers." Students studied OKeefe's use of scale, color, composition, depth, and materials, to create their own flower paintings. (KM)

Summarizes the lives and pursuits of four U.S. artists: Winslow Homer, John Frederick Peto, George Bellows, and Joan Mitchell. Explains the concepts apparent in the four works of art and shows how the artists created these works through expressing their perceptions of the world around them. Lists questions for further exploration. (CMK)

Describes the "Once Upon a Page" exhibition that is touring museums and galleries across the United States and is presented by the Meridian International Center. Explains that the exhibition is organized from the Mazza Collection of the University of Findlay that contains more than 1,000 examples of book illustrations. (CMK)

Provides information on the life and career of Norman Rockwell and focuses on the exhibition "Norman Rockwell: Pictures for the American People." Discusses the four thematic groupings of the exhibition: (1) "Drawing from the Past"; (2) "Inventing America"; (3) "Celebrating the Commonplace"; and (4)…

Provides information on the inspiration for Alexis Preller's painting "Mapogga Rondawel," specifically addressing the Ndebele tribe's round, thatched houses called rondawels. Offers ideas for accompanying activities. Includes a reproduction of the painting and examines the painting in detail. (CMK)

Features the artist David Bierk, who uses three subject areas in his paintings: (1) landscapes; (2) still lifes; and (3) "history paintings." Explains that Bierk abstracts and adapts these subjects to create personal tributes to artworks by famous artists. (CMK)

Provides background information on Jose Maria Velasco and includes a reproduction of his artwork titled "Distant View of Mexico City." Includes classroom activities. Discusses the subject matter of the painting, offering historical information, and explores the techniques used by Velasco. (CMK)

Provides information on the Group of Seven, a famous group of Canadian landscape painters, of which Arthur Lismer is a member artist. Includes activities that accompany Lismer's painting "Isles of Spruce," which is reproduced here. Discusses the painting, noting its use of repetition. (CMK)

Research in art education must deal with the structure-in-process of creating, including both cognitive and intuitive approaches of human understanding. The Structural-Existential (S-E) Model can analyze this paradox. To exemplify the theoretical arguments, the author uses excerpts from contexts of creating in art. (SJL)

A project which involved 11th- and 12th-grade art students in creating a "Jackson Pollock type" lyrical action painting is described. As a result of the project, the students gained a freedom of expression which was evident in their subsequent art projects and a tolerance toward twentieth-century art. (RM)