In this article we explore two urban interventions art projects in the public sphere designed by our Masters' students at New York University as they set the stage for a discussion on how urban art interventions can function as a form of critical public pedagogy. We argue that these kinds of public art projects provided a space for dialogue with…

Recent nontraditional forms of public art have been described as interventionist, referring to art that establishes its purpose and form through the social exchanges and altered behaviors that arise as a result of its disruption of quotidian patterns of social experience in public spaces. The form of the work is revealed through the contingent…

When people think of a person "working the corners," a G-rated image does not generally come to mind. Yet that is precisely what the author, posing as "June Cleavage," did in New York City one dreary morning: she facilitated a meeting of strangers through the creation of a character and an approachable situation. June, with her…

On June 25, 2005, after 25 years of bringing the arts alive for students throughout the greater Rochester area, Aesthetic Education Institute (AEI) was closing its doors. To celebrate those dedicated years of service the founders, directors, board, staff, teachers, and Teaching Artists gathered for an evening of bittersweet memories and hopeful…

This collaborative action research study of pedagogy examines an introductory high school visual arts curriculum that includes artworks pertinent to labor studies, and their impact on students' understanding of the power of art for social commentary. Urban students with multicultural backgrounds study social realism as an historical artistic…

Explains how students created artwork as a therapeutic outlet after the attack on the World Trade Center (New York) on September 11th, 2001. Describes a project that focused on patriotism in which students created murals with quotes from national hymns. (CMK)

Provides background information on the painter Rockwell Kent discussing his career as an artist, writer, and traveler. Includes ideas for teaching activities and a reproduction of one of his paintings. Describes the content of the painting that depicts his dairy farm located at the edge of the mountainous Adirondack National Park (New York). (CMK)

The three concept areas defined in this curriculum guide are: (1) space and structure, (2) movement, and (3) color and light. Each concept area contains five objectives that students are expected to meet by the end of the eighth grade. For example, the space and structure concept has as its fifth objective "to recognize that an artist…

This study focuses on behavior associated with young art students' developing artistic talent ("skills and art-making behavior") and creativity ("personal expressions of visual information"). The study examines the role of personal expertise in a student's development of problem finding, domain-specific technical skill,…