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Milman, Estera | 3 |
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Milman, Estera – Visible Language, 1992
Outlines coincidences between the birth of Dada and the birth of Fluxus. Charts the adoption of similar ahistorical strategies by members of both movements as they attempted to position themselves historically. Questions the assumption that democratization of the arts is the natural result of artistic actions that attempt to break down the line…
Descriptors: Art Expression, Art History, European History, Modernism

Milman, Estera; Foster, Stephen C. – Visible Language, 1992
Presents a conversation that ranges from discussion of the overt questioning of understanding, meaning, and the validity of the art situation to the conscious, recurrent renewal of "crisis" as a catalyst for the arts. (RS)
Descriptors: Art Appreciation, Art Expression, Art History, Audience Response

Milman, Estera – Visible Language, 1992
Recounts when the Fluxus community first became self-consciously aware of itself during early European concert tours. Provides insights into criteria that delineate European and American Fluxus performances. Discusses use of chance procedure by members of the group, their debts to John Cage, and the relationship between the audience and the…
Descriptors: Art Expression, Art History, Artists, Audience Awareness