Presents a block printmaking lesson in which students learn about Pop Art and artists in the movement. Students create artwork using something from popular culture for the subject matter. Describes how to create the prints. Lists the objectives and materials. (CMK)

Discusses the use of art and literature in the classroom, comparing its use as a means toward greater understanding and communication with its use as an end in itself. Calls for the reframing of the study of arts and literature around the aim of producing the aesthetically, liberally educated individual. (23 citations) (MAB)

Explores reasons why adolescents lose interest in art by focusing on the internal and external disruptions in their artistic development. Discusses the influence of manga, or comics, on the artistic development of children in Japan and relates the characteristics of manga. Addresses the use of manga within the Japanese art curriculum. (CMK)

In this article, the author suggests that visual culture is so much a part of students' lives that it is difficult to ignore. In the art class educators can effectively model democratic concepts, processes, and behaviors, and help students make sense of their world. The arts can heighten perception and critical thinking and help students develop…

Since the early nineties, David Novitz and the author have been engaged in an ongoing debate about mass art. The latest installment in that exchange is Novitz's article "The Difficulty with Difficulty" which represents a sustained attack on the conception of mass art advanced in the author's book "A Philosophy of Mass Art." In this article, the…

Today, "connoisseurship" conjures up images of fusty old men in tweeds arguing over ancient etchings or perhaps the patter of opera buffs as they pass bejeweled into the night. Connoisseurship is neither fashionable nor politically correct. It signifies a focus on works of art rather than issues of power and is foreign to a cultural…

This pamphlet outlines the National Endowment for the Arts' (NEA's) principles for lifelong learning in the arts and identifies four broad areas that guide the NEA's planning and support. The four areas include: (1) "Pre-K to Post-Secondary Arts Education"; (2) "Pre-Professional and Professional Development in the Arts"; (3)…

Suggests that teaching students the processes of video programing helps them become more intelligent video consumers and allows them to use the technology as an extension of themselves by creating art through video. Discusses the use of lighting, sound, and editing in the creative process. (KO)

This article argues that justifications for art and culture recently have changed from one of basic freedom of expression and communication of an inner vision ("art for art's sake"), to one of utilitarianism and entrepreneurialism. On a very basic level, theatre in school settings works with young people inside the context of a community…

This paper explores the question of introducing a critical pedagogy of representation into the art classroom, what it means and how it works. A critical pedagogy of representation holds socially transformatoryugoals that work toward a critical democracy. The approach affords opportunity for oppositional readings of texts and images by opening up…

Addresses the common confusion about the nature and use of intellect in the arts. Attempts to demonstrate the forces that promote and reinforce this confusion in relation to the nature and use of intellect in the arts. (CMK)

Discusses television's influence on today's youth culture and examines measures that may be taken to limit or change the nature of that influence. Warns that efforts to control television programing will continue to fail until educators understand that television is an integral part of the youth culture, not just an influence.(KO)

Asks how art should be taught in the postmodern world. Argues that art education must change in two ways: (1) discussions of fine art must focus on the meaning of postmodern art and concepts; and (2) incorporating postmodern concepts to address the broad range of visual culture encountered by students. (DSK)

Focuses on ways in which a group of high school students responded to fine art and other forms of visual culture, such as advertising images, cartoons, and propaganda posters. Discusses three emergent themes in student responses: (1) purposes of imagery; (2) interpretation of images; and (3) relationships among images. (DSK)

This serial issue is devoted to examining the artists of Germany, their cultural economy, and their increasing dependence on public agencies for support. The prospects for the up-and-coming generation of artists are examined and the available training institutions, teaching staff, study programs and qualifications for professional prospects and…