Presents classroom lessons based on four self-portraits found in the Art Institute of Chicago. Provides background information, discussion questions, and activities for each portrait. Includes full-page color reproductions of the paintings. (CFR)

Uses the biography and work of M. C. Escher to introduce a unit on art history. Tells about Escher's influence not only on artists, but also on mathematicians and physicists. Outlines a student project in which students employed one of these themes: impossible geometry, rotating symmetry, or geometry. (DSK)

This manual focuses on visual art and is intended for teachers using the Project Success Enrichment (PSE) program to teach gifted or interested elementary school students. An introduction discusses the PSE art philosophy, including a definition of the components of a complete work of art (subject matter, composition, and content), the study of…

This study describes preschoolers' computer-generated graphics. Of specific interest were three questions: (1) What is the nature of children's computer-generated drawings in terms of the developmental stages of art? (2) How do the stages evident in children's computer-generated drawings compare with those in drawings produced with traditional art…

This is an experimental textbook for teaching about the visual arts at the elementary level. The content answers five questions about art: what is art; who makes art; what are the sources for art; why is art important to you; and why is art important to society. At the end of each section of the text is a set of questions and suggestions for…

Describes using a "dialogue of disciplines", a teaching method which traces a particular theme across artistic disciplines, to present Shakespeare's play "Romeo and Juliet" in a comprehensive way. Suggests that exposing students to paintings, films, stage performances, and operas creates a multidimensional experience and…

Offers a lesson that introduces students in grades seven-nine to a contemporary object which questions the definitions of furniture, painting, and sculpture. Shows how Rodney Alan Greenblat draws upon childhood memories for creative inspiration. Calls for students to produce an art piece that works as painting, furniture, and sculpture. (LS)

In Tucson (Arizona) and El Paso (Texas), Chicano mural painters and art educators have begun community programs to engage alienated Chicano and Yaqui youth in painting murals that defuse gang conflicts, celebrate Mexican culture and history, and provide training in marketable skills. (SV)

Presents four lesson plans that use paintings, illustrations, and photographs that tell a story. The lessons consider the use and characteristics of narrative. Includes work from, "The Book of Deeds of Alexander the Great," as well as the works of Georges de La Tour, Eileen Cowin, and Henry Ossawa Tanner. (MJP)

Seventeen research papers and discussions representing diverse topics concerning research in the arts and presented as part of the 1983 Arts and Learning Special Interest Group (SIG) program of the American Educational Research Association are presented in the first of two volumes. Papers presented are: "Ways to Talk and What to Say: A Study…

Describes a one-year high school course in applied chemistry and introductory art. Gives a course overview by art and chemistry topic. Discusses color, painting surfaces, clays and glazes, texture and line, jewelry making, photography, art history, and chemical hazards in art. (CW)

Describes a year-and-a-half-long history project that involved elementary students in exploring their community's past. Students took field trips, interviewed community persons, taped oral histories, painted murals, and produced a dramatic musical based on their community's history. (RM)

Uses the artwork of Color Field painter, Helen Frankenthaler, to discuss abstract painting, how mood can be conveyed through color, different methods of applying color, and how different color combinations change the appearance of colors. Suggests art-related activities for elementary and secondary levels. (KM)

Discusses the founding, development, and issues surrounding the Barnes Foundation and its art collection, specifically designed for art education. Also discusses myths about Albert C. Barnes, the Barnes Foundation, and its relationship to the ideas of John Dewey. (CFR)

Asserts that, although it has been ignored by most art historians and art educators, the Barnes Foundation was founded upon a unique African/African American esthetic influence. Describes influences on the life of Dr. Albert C. Barnes, his world view, and the decision to establish the Barnes Foundation and its art collection. (CFR)