Presents an elementary art activity that successfully teaches the process of slabbing by having students create fishbowl plaques. Explains the process step-by-step beginning with a demonstration to the students along with showing previous examples. Endorses a type of clay that fires white because the glaze colors are much more vibrant. (CMK)

This lesson combines two significant art forms into one lesson. Students first learn the techniques necessary to create a relief sculpture terra cotta clay mold. Using that mold, students will experience the art of paper making and paper casting simply, safely, and economically. A brief history of the art of paper making is provided, along with…

Describes a unit on clay casting that introduces students to relief sculpture. The unit takes three 45 to 50 minute class periods three weeks apart. Discusses each class session in detail: (1) creating the casting; (2) turning out and rinsing the casting; and (3) enriching the surface with color. (CMK)

Describes a project in which ninth grade students sculpt gargoyles as part of a Gothic unit. Discusses the construction of the gargoyles from the initial sketches to sculpting methods and effects to finishes. Offers tips on what to avoid. (CMK)

Focuses on a reduction-firing process with an aim of producing high-quality blackware similar to the black-on-black pottery of Maria Martinez and other American Indian potters. Includes a lesson on creating reduction-fired seedpod bowls, lists of instructional resources and materials, and the objectives and evaluation. (CMK)

Presents a unit on clay that is centered around sign language in which students explore the slab method of working with clay. States that each student picks a letter of the sign language alphabet and fashions a clay hand to depict the letter. (CMK)

This lesson incorporates art, academic curriculum, developmental skills, and multi-media technology, and is appropriate for all grade levels. Students become involved in all aspects of this lesson and will understand and appreciate the complexities of clay animation when viewing movies and videos that employ this process. A brief description of…

Discusses the renewed interest in clay as a modeling compound in early childhood programs; describes the nature of clay and presents a working vocabulary. Suggests methods of working with clay, including introducing clay to children, discovering its uses, clean up, firing clay, and finishing baked clay. Includes activity suggestions and…

Describes an art unit in which students sculpt a signature seal out of clay and use Chinese brush painting techniques to paint a scroll. Discusses the seal and its historical use in China. Lists materials needed and explains the procedure. (CMK)

Presents two activities that enable students to work with clay: a tile project and turkey candle-holders. Explains that before students actually create their own projects, they get an opportunity to experience the clay itself. Asserts that the new vocabulary, unusual equipment, and intriguing techniques make ceramics a motivating activity. (CMK)

Describes an interdisciplinary art and music lesson for third- and fourth-grade students where students learned about maracas from the music teacher and then created their own maracas. Explains the process for creating the maracas in detail and includes a list of materials needed, the learning objectives, and a bibliography. (CMK)

Proposes a lesson in which students create grand-scale sculptures of three-dimensional objects through drawing, clay modeling, armature construction, papier-mache application, and painting. Describes in detail the process of creating the sculptures from brainstorming and drawing different ideas to painting the sculptures. (CMK)

Explains that creating paper-pulp bowls is designed to acquaint students with the beginning vocabulary and finger dexterity needed to sculpt clay. Describes the process of making paper-pulp bowls and identifies important vocabulary words. Provides directions for making paper bowl forms and lists the materials. (CMK)

Describes a lesson for high school students in which they created tombstones from clay because of the distinctive surface quality as well as sculptural bas-relief effects involved in mortuary art. States that in order to motivate the class, crayon rubbings from actual headstones were taken and visuals from cemeteries were shown. (CMK)

Offers a fifth-grade art lesson on lighthouses prompted by reading Arielle North Olson's "The Lighthouse Keeper's Daughter" during a language-arts lesson. Reports that the students made a two-dimensional and a three-dimensional project. States that the students were excited about conveying their ideas using two different media. Explains…