Examines some of the philosophical positions from which claims for relating the arts might be justified and notes contradictions inherent in the "melange" of viewpoints found in the publication, "Coming to Our Senses: The Significance of the Arts for American Education--A Panel Report". The Report advocates greater emphasis on…

Ways of teaching art concepts are discussed. (CK)

Presents Efland's reply to Charles Dorn's article (November 1981) in which Dorn argues that the goal of an art curriculum incorporating studio work, art history, and criticism has not been realized and is undesirable. Efland supports school art curricula which integrates history and criticism with real-world applications. (AM)

Discusses the work of Isaac Edwards Clarke, an influential nineteenth-century U.S. education official. Reports that Clarke encouraged instruction in drawing as an important industrial skill. Indicates that, although interest in industrial drawing as an important aspect of art education waned by 1900, Clarke's influence continued to be felt. (SG)

Article discussed the evaluation of the conference on teacher education by the author. (RK)

Focuses on the phenomenon of school art, what it is, and what it does. (Author/RK)

This book is designed to help school districts plan comprehensive art curricula that are addressed to the concerns of society as well as to the needs of individual students. Specifically, it will help elementary classroom teachers, art teachers, supervisors, and administrators prepare their own local art curriculum guides and courses of study. The…

Discusses a cognitive model that is an alternative to Jerome Bruner's spiral curriculum, developed and based on the metaphor that the mind's knowledge base is a lattice. States that the lattice metaphor offers an understanding of cognition but some questions still remained unanswered. (CMK)

The impact of Pestalozzian methods on art and music education in the 19th century is examined. In both disciplines these methods departed from traditional rote methods through the use of exercises to measure space (drawing) and time (vocal music). Each developed differently because of social forces affecting their educational roles. (Author/IS)

Since the Industrial Revolution, a separation has occurred between art education, taught in the academies of Europe, and applied art education, taught in common schools. The academies based their teaching on limitation; the common schools based theirs on geometric drawing. Ideological and social factors are examined to explain this occurrence.…

Shows how discipline-based art education developed, and relates it to Thomas S. Kuhn's theory of paradigm shifts. Critiques Gilbert Clark, Michael Day, and W. Dwaine Greer's theory of disciplined-based art education and highlights mistaken notions in the inquiry methods of curriculum specialists. Concludes that art educators should focus on how…

Describes a model for an education curriculum that includes three spheres of activities: economic activities, social activities, and spiritual-cultural activities. These activities are incorporated throughout a liberal arts and sciences curriculum. Includes a list of activities by category and a chart detailing contrasts between modernism and…