Results of this study indicate that students' attitudes toward styles of painting studied were influenced in a positive direction through use of an experimental curriculum. (RW)

Describes an art project for high school students that combines observational skills, art history, and production. Students research historical art motifs and create a motif drawing. Explains that the students gain an appreciation for their motif and the original artist. (CMK)

Discusses a type of visual art called grotesque art and includes four different examples of grotesque art: (1) the painting "Head of Medusa" by Peter Paul Rubens; (2) Rangda, the widow witch from Bali (Indonesia); (3) totem poles; and (4) grotesque sculptures from the Cathedral of Notre Dame (Paris, France). (CMK)

Provides background information on George Inness and includes a reproduction of his work of art titled "Delaware Water Gap." Includes classroom activities. Examines this painting, which was one of Inness' first using his revised painting style. (CMK)

The study of Native American rock art should be more fully incorporated into art education and art history curricula, especially at the precollege level. Rock art is a sensitive reflection of the culture from which it sprang, it provides one of the most direct links with ancient lifeways and ideas recorded by early ancestors, and as a form of…

Offers a full-color reproduction of Jacopo del Sellaio's painting, "The Adoration of the Magi," and a lesson plan for using it with children in grades four through six. The goal of the lesson is to familiarize students with the concept of symbolism and its use in early Christian art. (JDH)

Presents a unit for use in high school English classes on "A Short History of American Painting, Colonial Period Through 1900," and discusses how it was developed. The unit was used in the ninth grade, but it can be modified to facilitate the teaching of a variety of skills at any grade level. (JM)

Presents a teacher's guidelines for early childhood teachers who use art postcards with young children as part of the art appreciation and aesthetics program. (BB)

Describes "the world of the work" as the state of affairs an artist projects, including what is suggested and inferred as well as what is represented directly. Discusses how teaching "the world of the work" concept to preservice art teachers enables them to access the representational content of artworks. (CMK)

A group of American scholars who visited the People's Republic of China in October and November of 1977 to study Chinese paintings report on their trip. The purpose of the report is to provide information and insights which will be useful to other scholars in the field and which will help promote the development of strong ties between U.S. and…

Provides a full-color reproduction of George Bellows' painting, "Edith Cavell," and a lesson plan for using it with students in grades seven through nine. The goal of the lesson is to familiarize students with the American Realist painting style. (JDH)

Describes how students selected a famous artist for every letter of the alphabet. Using Gothic style letters, each student drew or painted in the style of their artists within the outlines of their letter. (KM)

Describes a two-week arts appreciation unit implemented by a sixth-grade teacher at Graham Elementary School in Los Angeles. The unit introduces the students to Parisian art and architecture, the music of Wagner and Stravinsky, and the paintings of Monet and Chagall. Visual and aural exposure to art and music, group discussions, and hands-on art…

Justifies examining still-life pictures of flowers to provide students with an opportunity to learn how one distinguishes between deeply artistic pictures full of emotion and pictures lacking this quality. Claims that students will develop their own artistic expression. Offers pictures by Diego Rivera, Watanabe Shiko, Consuelo Kanaga, and Rachel…

An exploration of the creative process in painting and musical composition, this kit, for use with grades 4-8, provides a structured plan that can extend over several class periods. In "Looking At Art," concentration is on one landscape painting with comparisons to related works. Historical and visual components are analyzed and works are placed…