Offers an overview of the meaning and development of traditional Flemish and French still life painting. States that art history, as well as technical process, must be taught for discipline based art education to be effective. Describes Flemish still life classifications, eighteenth and nineteenth century French works, and still life symbolism.…

Presents a lesson plan based on John Singleton Copley's 1795 oil painting, "Portrait of Nathaniel Hurd." The goal of the lesson is to give students in grades four through six an awareness of portraiture and how portraits record not only character but historical times and customs. (JDH)

"At the Piano," an oil-on-canvas painting completed in 1859 by James Abbot McNeill Whistler, is used as the basis of a lesson designed to help junior high school students analyze the painting's mood, subject matter, and composition. (JDH)

The discipline-based view of art education requires that students progress in all of the four domains of art learning: art history, art criticism, aesthetic appreciation, and creative production. Evaluation methods in each of these domains are discussed. (RM)

Discussed are historical methods, adapted from genealogy, that will help the field of art education locate art educators or their descendants who might have documents or notes that would aid in painting a more accurate picture of art education in the 20th century. (RM)

Annotates books that can introduce students and teachers to the world of Hispanic and pre-Columbian culture, specifically art. (FL)

This study introduced to 88 selected adults (aged 60 and older) eight combinations of art curricula and teaching approaches encompassing three components of art education: productive; historical; and critical-appreciative. All eight experimental groups made similar improvement in the aesthetic quality of their art products. (Author/SJL)

Presents an art lesson in which first grade students learn about abstract art. Explains that the students learn about the work of Joan Miro and explore one of his paintings call "People and Dog in Sun." Describes how students use scribbles to make their own abstract art. (CMK)

Describes how the Ohio Department of Education developed its art curriculum, the Balanced Comprehensive Art Curriculum (BCAC). Going beyond the traditional studio art approach, the program requires students to respond and express themselves in three areas: personal development, artistic heritage, and art in society. (KM)

Maintains that teaching the creation of art can be lost in the emphasis on discipline-based art education. Argues that much of art education is studying the art of others or the concepts and principles that can be derived from others. Contends that the process of personally creating art must be revived as an integral part of art education. (CFR)

Presents an art project that incorporates art history in which high school students create a still-life drawing of one jacket in four styles. Explains that the first drawing should be in the style of the student, while the other three should be in the styles of three well-known artists. Includes a list of artists. (CMK)

Focuses on works of art that are dreamlike and surrealistic and include visual contradictions. Includes four reproductions of artworks with information about the works of art and the artists. Explains that the four pictures will stimulate students' creativity. (CMK)

The Clementine Hunter Black History Month Exhibition (Natchitoches, Louisiana) was a successful demonstration that five objectives can be achieved with a zero budget and teamwork. Objective 1 demonstrated that specially designed cultural and extracurricular events can be used as tools for retaining black students on a predominantly white college…

This journal issue highlights a style of U.S. art and literature generally referred to as regionalism and focuses on Iowa's historical role in its development. Compiled to encourage student understanding about how people lived in the Midwest during the 1920s and 1930s, the depression years are featured through presentations; the study of the…

Art history teaching has traditionally emphasized stylistic analysis of Western art. We need to broaden our definition of what art is and why it is integral to cultural life. The sociologist and the anthropologist can contribute to our knowledge of how social factors affect art. (Author/SJL)