For the past 100 years beauty has been marginalised in Western art and regarded as a problematic notion in a range of cultural contexts. Art educators tend to associate experiences of beauty with passive appreciation rather than active engagement, while researchers of children's understanding of art characterise references to beauty as evidence of…

Art educators can be reluctant to study graffiti with their students, commonly citing that the practice of graffiti art is rooted in illegal vandalism. While this is true for a large amount of graffiti, today, graffiti art is also often completely legal in the form of murals, commissioned pieces, works in galleries, billboards, logo designs, and…

Socially engaged artwork challenges viewers to ask critical questions about society, to dialogue about issues that affect quality of life, and to question how art is considered. Art educators can provide opportunity to discuss and respond artistically to issues within their communities. One way to approach this is through place-based educational…

User interfaces that utilise human gestures as input are becoming increasingly prevalent in diverse computing applications. However, few designers possess the deep insight, awareness and experience regarding the nature and usage of gestures in user interfaces to the extent that they are able to exploit the technological affordances and innovate…

The residual meanings attached to the arts emerge through histories that have maintained disciplinary difference between dance, music, art, drama. This modernist persistence affects intellectual and corporeal innovation in school-based arts so how might a rearticulation of arts practices, as well as research and education procedures from the…

The principles and techniques of design education have begun to influence art education in the United States, but their effect so far has been modest, primarily because of a gaping divide in beliefs about creativity and how to stimulate it. With K-12 art education on the chopping block of a culture awash with budget cuts and testing fever, this is…

Artistic research has in recent years concerned itself with the nature of practice and how this may be framed as research. These debates may have blinded us to a more fundamental concern: territorial claims to the research space made by other forces. Competition for access to material and human resources, funds, space, and infrastructural support,…

Reflecting on two events documented in early childhood art classes as representative narratives of the possible, I present a case for the adoption of a childhood studies perspective in contemporary art education research and teaching. Moving beyond outmoded and unreliable developmental understandings, and becoming aware of the influence of…

Equal educational opportunity involves learning to respond to the challenges of life with creativity and integrity. Conflict, at internal, interpersonal, and political levels, is a key challenge that formal learning processes have done little to help people navigate. This reduces students' efficacy in their personal lives and limits their capacity…

This essay addresses theories, research, and practices of promoting arts and social justice across the curriculum toward collaboration between schools and their surrounding communities. As secondary students grapple with challenging issues, they can extend their learning experience in meaningful ways with creative expressions in the visual,…

In this article, we explore the cognitive process and resources drawn upon when moderating artwork. The cognitive processes involved in the external moderation of non-exam assessments has received little attention; the few research studies that exist investigated moderation where the candidates' submissions were in mostly written form. No studies…

In 2020, the Brooklyn Museum Education Department, like many departments in museums across the globe, engaged in a reevaluation of its programs and priorities in light of the COVID-19 pandemic. As we reassessed what responsive programming could and should look like for our audiences, the Adult Learning Division within Education decided to…

This instructional resource is inspired by questions generated during ART21's "Creative Chemistries: Radical Practices for Art + Education" at the Park Avenue Armory in New York on February 20-21, 2015. It utilizes one of the four group dialogues held at the event to investigate ways that art educators can make the spaces between their…

Austerity politics in Britain are edging towards compressed learning and teaching identities, driven by competition for resources and normative standards. Policy changes since 2010 have impacted particularly on the arts, and have had an adverse effect on cultural diversity across society. This situation has international resonance for those…

Few would disagree that a primary aim of art and design education is to cultivate student creativity. While there are diverse approaches to teaching for creativity in art and design education, developing creativity generally focuses on discovery, materials exploration, and idea expression (process) as well as making and presenting final works of…