Reported are studies designed to identify art and art-related experiences that enhance or reinforce cognitive development among kindergarten and first-grade children. These studies focus on conceptual thinking through transfer of image, creating thinking through clayforming, oral language through painting experiences, and letter recognition and…

Providing a rationale for continued research into the importance of art and creativity, the author decries the lack of national encouragement for the arts and urges identification and support for young artists. Indicates that continued research may lead to more positive attitudes toward art, artists, and art education in schools. (JN)

The curriculum movement known as picture study was, in part, the result of the late nineteenth-century development of printing processes capable of reproducing works of art. This description of the reproductions used in picture study illustrates how popularist attitudes toward art and technological changes set the context for this art movement.…

Gives a historical analysis of nineteenth-century attitudes toward women, with special focus on the development of art education for women at the College of Fine Arts, Syracuse University. Stereotyped beliefs about female physiognomy and morality justified a conception of art education as a cultural refinement especially suited to women.…

This lesson combines two significant art forms into one lesson. Students first learn the techniques necessary to create a relief sculpture terra cotta clay mold. Using that mold, students will experience the art of paper making and paper casting simply, safely, and economically. A brief history of the art of paper making is provided, along with…

This publication reports findings related to "Project ARTS: Arts for Rural Teachers and Students," a collaborative program among Indiana University, New Mexico State University, and Converse College in South Carolina. Seven rural elementary schools in those three states were also selected to participate. This report provides an overview…

Aesthetic value enhances personal and professional lives and contributes to people's environment. If one defines the aesthetic sense as the faculty that enables one to modify the quality of his or her environment, then it follows that aesthetic education should be a means to achieve this end. In order for that to happen, there must be changes both…

A theory put forward by Reginald Archambault is that moral education can be fostered through the study of other subjects - he suggested history and literature. Article examined this theory in relation to art. (Author/RK)

Hand-run washing machine wringers, acetate plates, bottles, and cheesecloth are combined to show students the intaglio embossed method of printing. (DS)

Different ideas about arts education arise from conflicting metaphorical descriptions of art as a set of teachable skills; an inborn talent that cannot be taught; a problem-solving activity; or a creative spark. A key to arts metaphors is needed to enable opposing factions to acknowledge the validity of alternative interpretations. (Author/MJL)

Described is a school-museum program which linked art and science through the study of small mammals and birds in relation to color, form, and communication. Art, audiovisual aids, research, readings, language, and communication were combined in this interdisciplinary program. (KC)

In the Manitowoc, Wisconsin, Public School District, career education is infused into daily arts instruction, K-l2. In addition, career information files and resource people help students make decisions about arts careers. (SJL)

Describes (in the form of an opera libretto in five acts) the experience of creating an opera in a first-grade bilingual classroom. Shows that literacy is not reading and writing, opera is not inaccessible, and art is not a frill. Finds that children made flexible use of sign systems and achieved some degree of bilingualism. (SR)

Discusses Viktor Lowenfeld's influence on art education in general. Assesses the impact of popular culture on perceptions of art and art education, arguing that to be of value, art education must surpass contemporary culture and introduce students to the larger storehouse of human history and achievement. (GEA)