Augé defined non-place as space lacking meaningful relations with other spaces, historical presence, or concern with identity-space divorced from anthropological place. Rather than space as historically-centered, marked and fashioned by social bonds, Augé's non-place represents a de-centering of space, a movement away from cities, dwelling places…

The consideration of color/lighting in time-based media resurfaced for the author in the cinematic creation of "Moonlight" (Romanski & Jenkins, 2016), and subsequently in the creation of "If Beale Street Could Talk" (Barnard et al., 2018). She was moved by the thoughtful consideration of color/lighting/editing, which would…

As a public artist and designer, I construct spaces that connect people and ideas. The social spaces I create challenge our traditional ways of thinking, knowing, and experiencing one another and our cities. This piece presents a resistance to preset disciplinary values and a recognition that exponential rather than incremental change in an…

Today there is a lot of discussion about creative economies and how cities are the engines driving growth in a variety of industries. But cities are not merely rows of buildings, or sets of laws, such as zoning ordinances or parking regulations. A city is, rather, a set of dynamic experiences that we all participate in as co(labor)ators. As a way…

The Moth is a nonprofit performing arts organization dedicated to true stories told live, and its education programs make space for students and educators to tell their stories. In this edited transcript of a panel discussion given by student alumni of Moth storytelling programs, participants discuss the impact of personal narrative performance on…

Ellen Winner is a psychologist and a professor at Boston College. She specializes in psychology of art. In this interview, she answers the following questions including: (1) What are you currently working on, researching? (2) Could you elaborate on the intrinsic value of art education? (3) How might you compare your work today to earlier advocates…

Olivia Gude has a long and distinguished career as both a public artist and an art educator. She is currently the Angela Gregory Paterakis Professor and Chair of Art Education at the School of the Art Institute of Chicago (SAIC), where she works with graduate and undergraduate students to prepare for working as artist educators in school and…

Recent changes in art teacher certification requirements in New York, the state in which I teach, have prompted me to reconsider relationships between language, contemporary art, and art education. New York is participating in the educational Teacher Performance Assessment (edTPA), a national version of the Performance Assessment for California…

Berys Gaut has recently defended a theory according to which a moral defect of a work of art represents an aesthetic defect of the work itself. This theory, called ethicism, has been criticized by Matthew Kieran, who argued that, on the contrary, in certain cases moral defects can increase the artistic value of artworks. In this essay I clarify…

Amid all the current discussion of the value of a liberal education, and the pressure on colleges and universities to articulate benefits and career outcomes, the role of the arts is particularly important. In this article, the author explores the place of the creative and performing arts in a liberal education. He stresses that on campuses,…

In this article, author John Baldacchino presents twenty reflections on art, doubt, and error. In the first five reflections, he produces a discussion of a number of unmediated narratives that tend to aggregate and span across the plural horizon of arts practice. In terms of the arts "as well as" education, these questions are approached…

Henry A. Giroux is well known for pushing the definitions of education. From his early forays into what has been termed the "New Sociology of Education" in the early 1980s to his more recent discussions of "public pedagogy", Giroux has methodically challenged existing orthodoxies. This essay will focus on the interdisciplinary broadening of…

This essay argues for a fundamental change in the direction of art, its education and research that draws on Alain Badiou's notion of "inaesthetics" and negative affirmation as well as Deleuze's reorientation of "aesthetics." I draw on the inspiration of Vincent Lanier's critical spirit and Irwin Kaufmann's ideas on art, creativity, and research…

The term "arts-based research" has been debated for some time now. In an article strongly in favor of this approach Bean (2007) identifies three species: "Research on the arts (italics in the original) (art history, visual and cultural studies, media studies etc.)...Research for the arts, refers to research into applied techniques, materials and…

In a world rich with people, places, things and ideas, all inter-engaged in impossibly complex ways, the question of where individuals direct their attention, and how they organize themselves to understand what they are experiencing is a question that is difficult to answer. In this article, the author suggests that the openings arts-based…