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Peckham, Kathleen – 1995
Images of people can serve several purposes in works of art. Individuals have had their likenesses embellished or altered for political, social, or religious purposes. Or, images of individuals have been employed by other people to fit their needs. This Learning Packet, designed for use with grade levels 1-8, addresses three themes: (1)"People as…
Descriptors: Art, Art Criticism, Art Education, Art History
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Connors, Andrew – 1993
This guide presents a brief history of the Pueblo Indians of the Southwest, their traditions, and their art. Focus is on painting, a traditional art form that continues to be practiced, and on ceremonies and beliefs that are important elements of contemporary Pueblo society. The guide is designed for students of ages 10 through 14, but can be…
Descriptors: American Indians, Art, Artists, Beliefs
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Day, Michael – School Arts, 1975
This is the third and final article in a series that describes an approach to teaching art that integrates the critical, historical and productive aspects of art learning and provides a natural forum for ideas. (Author/RK)
Descriptors: Art, Art Teachers, Communication (Thought Transfer), High School Students
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Doornek, Richard R. – School Arts, 1990
Presents a lesson plan developed around the work of architectural muralist Richard Haas. Discusses the significance of mural painting and gives key concepts for the lesson. Lists class activities for the elementary and secondary grades. Provides a photograph of the Haas mural on the Fountainbleau Hilton Hotel, 1986. (GG)
Descriptors: Aesthetic Education, Art, Art Activities, Art Education
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Clarkin, Maura A.; Rawson, Cynthia – Art Education, 1992
Presents lesson plans for grades K-3 based on 4 well-known paintings Discusses historical background and cultural impact of the paintings. Provides student activities and assessment suggestions. (CFR)
Descriptors: Aesthetic Education, Art, Art Appreciation, Art Education
Asian Art Museum of San Francisco, CA. – 1992
Brushwork is the essential characteristic of Chinese painting. Ink and brushwork provide the foundation of Chinese pictures, even when color also is used. In the quality of the brushwork the artist captures the spirit resonance, the raison d'etre of a painting. In China, painting and writing developed hand in hand, sharing the same tools and…
Descriptors: Art, Art Education, Art History, Chinese Culture
Andre, Linda; Casey, Douglas, Ed. – Art to Zoo: Teaching with the Power of Objects, 1996
Through the study of several works of art by Albert Bierstadt, George Catlin, Winslow Homer, and Thomas Moran, this resource explores the way that people felt about their growing nation during the period of westward expansion until the end of the 19th century. It introduces students to basic principles of landscape painting and has students…
Descriptors: Art, Art Activities, Art Education, Artists
Wiggins, Rose C. – 1994
This paper consists of two art curriculum units: (1) mural painting; and (2) sculpture. In the mural painting unit, students analyze and critique works done by Diego Rivera and create a mural using the fresco technique. In the sculpture unit, students create a piece of sculpture that combines influences of past and/or present-day Mexican sculpture…
Descriptors: Art, Art Education, Culture, Ethnic Groups
Asian Art Museum of San Francisco, CA. – 1990
Sacred women have been portrayed throughout the history of India and Southeast Asia. Some were depicted as consorts to the Hindu gods and regarded as the necessary force that activates male energy. Other images arose out of local fertility cults and represented uncontrolled feminine energy that could be terrifying in aspect. The calmer Buddhist…
Descriptors: Area Studies, Art, Art Education, Art History
Sullivan, Kathryn C. – 1988
In 1899, the Committee of Ten on Drawing, organized by the National Education Association, proposed that one of the main goals of art education should be "to offer a consistent development in the faculty of sight." Art appreciation was centered on the literal translation of the painting. Importance was placed on connecting the painter's…
Descriptors: Aesthetic Education, Aesthetic Values, Art, Art Appreciation
Asian Art Museum of San Francisco, CA. – 1995
This packet includes a description of the geography of Iran, known as Ancient Persia and gives information about Persian Art. Both pre-Islamic and Islamic influences are discussed. The "Slide List" introduces 21 slides provided with the packet and describes them in the "Slide Descriptions." The packet includes a "Slide…
Descriptors: Area Studies, Art, Art Education, Art History
Powe, Faye – 1990
Henri Matisse (1869-1954) is recognized as one of the great artists of the twentieth century. The paintings and drawings that he executed in Morocco in 1912 and 1913 reveal a pivotal stage in the artist's career. His Moroccan paintings have been compared to an interior journey taking place side by side with the outer one. This packet includes…
Descriptors: Art, Art Criticism, Art Education, Art History
Lyons, Nancy Hague; Ridley, Sarah – 1994
This packet, written for teachers of sixth-grade art and language arts courses, is designed to inspire creative expression in words and images through an appreciation for Japanese art. The selection of paintings presented are from the Freer Gallery of Art, Smithsonian Institution. The interdisciplinary approach, combines art and language arts.…
Descriptors: Area Studies, Art, Art Activities, Art Appreciation
Smith, Nancy R.; And Others – 1993
This book emphasizes the teacher's active role in fostering a developmental understanding of painting in children from ages 1+ to 11. The cognitive processes behind children's painting are explored. The book suggests meaningful tasks for each phase of imagery and offers methods for encouraging children to discuss the concepts involved in their…
Descriptors: Art, Art Activities, Art Criticism, Art Education
Larson, Judy L. – 1986
This book explores the popularity of American illustration from the late 1800s through the 1920s. Illustrated books, periodicals, the public consumption of illustrations, and various themes of illustration are discussed. Themes include: (1) "The Smart Set"; (2) "The Masses"; (3) "The Domestic Scene"; (4) "Town and Country"; (5) "Let Me Call You…
Descriptors: Art, Artists, Foreign Countries, Freehand Drawing
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