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Kitses, Jim – 1970
The western is the most popular and enduring of Hollywood forms. It is one embodiment of a traditional theme in American culture: the West as both Garden of natural dignity and innocence and also as treacherous Desert resisting the gradual sweep of agrarian progress and community values. Westerns have in common: a) history, America's past; b)…
Descriptors: Analytical Criticism, Film Study, Literary Devices, Literary Genres
Bellone, Julius, Ed. – 1970
The post-World War II period was one of the liveliest in the history of the cinema. This is a collection of 33 critical articles on some of the best films of the perd. Most of the essays explicate the themes and symbols of the films. The essays deal with these films: "The Apu Trilogy,""L'Avventura,""Balthazar,""Blow-Up,""Bonnie and Clyde," Citizen…
Descriptors: Analytical Criticism, Essays, Film Study, Films
Bywater, Timothy Robert – 1974
This study deals primarily with recent academically oriented critical material, but it also embraces the range of film criticism that has been written for the mass audience in newspapers and periodicals. The study considers eight types of critical approaches to analyzing film: the journalistic approach, which contains both a reportorial-review and…
Descriptors: Analytical Criticism, Educational Research, Film Criticism, Film Study
Gessner, Robert – 1970
This book examines the unique patterns and structure that make cinema a story-telling art form. A comparison of books or plays with films that have been made from them reveals the essence of cinema: its emphasis on movement, fluidity, and pictorial image. Excerpts from shooting scripts demonstrate the ways in which the components of drama…
Descriptors: Analytical Criticism, Audiovisual Communications, Characterization, Film Production
Kauffmann, Stanley – 1971
Film reviews by Stanley Kauffmann are presented, most of which originated in "The New Republic," and cover the years 1967-70. The reviews discuss the major American and Foreign films of that period. In addition to his original review, Kauffmann sometimes publishes afterthoughts about the film. (JK)
Descriptors: Analytical Criticism, Film Study
Kinder, Marsha; Houston, Beverle – 1972
Based on the assumption that critical viewing can broaden the range of films one can respond to, increase understanding, and ultimately lead to an intensification of subjective response, this book offers a critical approach to experiencing movies. After explaining the critical method to be used, several films in the context of different aesthetic…
Descriptors: Aesthetic Education, Analytical Criticism, Documentaries, Film Production
Kuhns, William – 1975
Designed as an introductory film text for high school and early college students, this book contains twelve chapters, each dealing with one of the following subjects: "Citizen Kane," the history and production of the film, film and cinematic terms, the image on the film, the image of the world through film, editing, sounds, the director,…
Descriptors: Aesthetic Education, Analytical Criticism, Animation, Communication (Thought Transfer)
Peer reviewed Peer reviewed
Purvis, Frieda W. – Teaching English in the Two-Year College, 1974
Analyzes Alfred Hitchcock's use of archetypal fear in his movies to create a strong audience response. (RB)
Descriptors: Analytical Criticism, Audiences, Emotional Response, Film Study
Jinks, William – 1971
The purposes of this book are to introduce film as an art and to show how close, both in form and content, literature and the narrative film are to one another. To accomplish these purposes, the basic components of literature and film are compared, including language (the novel uses words, while the film uses images), point of view, and figurative…
Descriptors: Analytical Criticism, Figurative Language, Film Study, Films
Perkins, V. F. – 1972
The criteria for judging movies which are presented here are based on the belief that film criticism becomes rational, if not "objective", when it displays and inspects the nature of its evidence and the bases of its arguments. The author dissents from the view of early film theorists that montage is the essence of cinema, and that cinema is to be…
Descriptors: Aesthetic Education, Analytical Criticism, Film Production, Film Study
Utterback, Ann S. – Journal of the University Film Association, 1977
Discusses T. S. Elliot's essay, "The Three Voices of Poetry" which conceptualizes the position taken by the poet or creator. Suggests that an examination of documentary film, within the three voices concept, expands the critical framework of the film genre. (MH)
Descriptors: Analytical Criticism, Definitions, Documentaries, Film Study
Peer reviewed Peer reviewed
Saylor, Charles F. – Classical Bulletin, 1972
Descriptors: Analytical Criticism, Characterization, Classical Literature, Film Study
Peer reviewed Peer reviewed
Chang, Won H. – Journalism Quarterly, 1975
Descriptors: Analytical Criticism, Classification, Film Study, Films
Hughes, A. O. – English Exchange, 1969
Aspects to consider in studying the film "The Red Kite" are (1) a synopsis of the story, which concerns a young father's musings about life and death; (2) the film's structure, which focuses on the father's encounters in a store, on a bus, in his home, at a party, and finally on a hill while flying the kite; (3) possible themes, such as…
Descriptors: Analytical Criticism, Audiovisual Communications, Content Analysis, English Instruction
Baird, James – 1971
Still photography is useful as a teaching aid for demonstrating the technical aspects of photocomposition. In analyzing still photographs of his own making or from magazines and books, the student learns to move beyond simple expression which may not interest others to a point where he thinks in terms of communication combined with the intent to…
Descriptors: Analytical Criticism, Communication (Thought Transfer), Creative Expression, Film Study
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