Maintains that efforts to link the arts for educational purposes have been made since the 1960s. Proposes three approaches to link visual art, dance, music and other aesthetic endeavors into one course. Concludes that, although integrating the arts is more work, the motivation for doing so rests on improved student learning. (CFR)

A widely replicated Title I reading-through-the-arts experiential program designed to provide remedial instruction in reading and to promote increased interest in reading and other academic areas is described in this report. Following an overview of the program and a statement of its philosophy, the report provides information about the various…

Designed to integrate aesthetic education into the mainstream of an elementary school program,, the curriculum development process and sample units of the Aesthetic Education Program are described in volume one of this final report. The introduction describes the program, the curriculum development process, the curriculum, and the overall goals of…

This paper presents a rationale for including aesthetic education in the traditional elementary and secondary curriculum. By teaching students to perceive images as artists do and to make images as artists do, aesthetic education fosters imaginative perception and sensitivity to a broad range of feelings. Four factors contribute to the need for…

This report reviews five current research projects in aesthetic education. Chapter 2 describes recent studies at the Institute of Personality Assessment and Research (IPAR) which relate aesthetics and creativity. Chapter 3 reviews measures of perceptual and cognitive performance; perceptual and aesthetic preference; and aesthetic interests,…

This report describes the aesthetic education project, which embraces a conceptual structure, a perceptual approach to learning, and belief that aesthetics can be inculcated into the teaching-learning process. The project's goal was to develop an educational base and requisite expertise so that teachers can organize an aesthetic education…

Since the eighteenth century, both artists and art historians have received educational benefits from public art museums. The main function of public museums, however, has usually been the improvement or refinement of public taste. But in addition to education and pleasure, another museum objective is that of moral improvement. (RM)

Multiple, sometimes competing, purposes for adult arts education are to develop the individual, maintain the dominant culture, or change the culture; develop appreciative audiences or creative practitioners; or liberate creativity or develop technical skills. Art may be the means or a goal in itself; that is, the arts may be used for instrumental…

Evaluates the state of art education in light of the National Endowment for the Arts Report, "Toward Civilization." Cites rationale for arts education and makes recommendations for accomplishing the Report's programs. Suggestions include a sequential curriculum, comprehensive testing, improved data gathering; recruitment of outstanding…

Examines organizing efforts and educational objectives of W. H. Hadow and Walford Davies, who were responsible for creating the University Council of Music in Wales. Identifies the council's objectives: to promote universal music education and to encourage composing and performing. Assesses the council's impact on Welsh music education and…

The journal articles included in this bibliography of materials on music instruction in two-year colleges were identified in "Current Index to Journals in Education,""Education Index,""Music Educators Journal: Cumulative Index 1914-1987," and "Music Index." Nearly 90% of the articles discovered were available for review through the library…

Provided here is an interim evaluation, for the school year 1982-83, of the Motivational-Cultural Experiences project of the Cleveland Public Schools. The purpose of the project is to provide activities which enhance and enrich the experiences of urban children, grades K-12, by transporting them to local cultural facilities for performances of…

The case for the inclusion of aesthetic education with the traditional basic courses of reading, writing, and arithmetic is examined. The following points are emphasized in regarding arts education as a basic: (1) Aesthetic experience is basic because it is a primary form of experience on which all cognition, judgment, and action depend. It is the…

This paper explores the relationship between schools as a force which perpetuates the social order and the aesthetic curriculum which is being introduced within schools. In the first part of the paper, the author explains how aesthetic experiences are unique and different from the day-to-day experiences of our lives. Aesthetic experiences, such as…

A survey of home-schooling parents and staff associated with the Longreach School of Distance Education in a remote area of Queensland (Australia) examined attitudes about the importance of drama and visual arts education. The majority of parents valued their children's participation in the arts and would like to see more arts education included…