While the goals of the music program of the Mesa Public Schools are outlined in this guide, implementation techniques are left to school faculties. The terminal goal is for each student to attain the highest level of musical understanding and appreciation. Program goals, for which specific behavioral objectives are listed by primary, intermediate,…

The paper draws on reflective classroom work to propose strategies for teaching standard rhythm notation. The results of the study indicate how young children can make sense of rhythm notation beginning with the knowledge of rhythm that they bring to the learning situation, including motor and symbolic knowledge. In addition, this study of 60…

Educational objectives and brief course descriptions are presented for music education, grades 9-12, Montgomery County Public Schools, Rockville, Maryland. The program, divided into general, choral, and instrumental categories, stresses refining cognitive perception, developing creative potential, and heightening aesthetic sensitivity.…

Reactions to attitude items from the first national assessment of music expressed by a panel of music educators during a two-day conference on implications of the entire assessment are reproduced in this report. The panel states that aesthetic sensitivity is the ultimate goal of music education; however, the attitude items in the assessment do not…

For nine years the National Assessment of Education Progress has attempted to measure behaviors that are assumed to correlate with sensitivity to music and analytic skills typically taught in the classroom. These skills included musical performance, ability to use traditional notation, ability to discriminate and label instruments and voices,…

This book is one of a series of four in which issues affecting the organization and work of the British Infant School are considered. The series ("Young Children Learning") is designed to express current educational theory in terms of the practical work of teachers and children in infant schools. The books include recent research into…

Presents an interview with Keith Lockhart, the conductor and music director of the Boston Pops orchestra. Lockhart reflects on the role of music in education and society and describes ways he tries to communicate with young audiences. Includes a brief biography of the conductor. (MJP)

Educational objectives and brief course descriptions are presented for music instruction, grades K-8, Montgomery Public Schools, Rockville, Maryland. The system recommends that students in grades K-6 receive 100 minutes of general music instruction weekly. Objectives for these grades include development of musical perception through a wide variety…

The purpose of this report is to document the results of the 1971-72 national assessment of the music education of elementary-secondary students and young adults. Music exercises were given to a national probability sample of 9-year olds, 13-year olds, 17-year olds (including high school dropouts and early graduates), and young adults between the…

Outlines approaches for introducing multicultural music into the standard music appreciation class. Notes the close relationship and influence shared by Middle Eastern and Western music and recommends using this as a starting point. Includes selected resources on world music and recommended music selections. (MJP)

Current knowledge and practice relating to young children's aesthetic development and education are reviewed in this state-of-the-art report. Beginning with a brief section highlighting theoretical problems and approaches to the psychological study of aesthetic response, the review subsequently describes three common strategies used in aesthetic…

This Child Development Associate (CDA) training module enables CDA interns to introduce art experiences into the preschool classroom. The module guides the intern toward developing skill in helping children appreciate and communicate through art, music, dance and drama. At a satisfactory level of proficiency the CDA intern will be able to plan and…

Contends that music educators must develop a stronger rationale for music education in the face of economic pressures and questions about the value of aesthetic education. Argues that music educators must stress both the utilitarian and aesthetic objectives of music. Includes six basic rationale statements for music education. (CFR)

Argues that history must be included in the study of music to understand the context of the composer's era. Maintains that historical performance information, music technology, the place of music in society, music literature, and performing practices also should be included. Provides four charts of recommended resources. (CFR)

The journal articles included in this bibliography of materials on music instruction in two-year colleges were identified in "Current Index to Journals in Education,""Education Index,""Music Educators Journal: Cumulative Index 1914-1987," and "Music Index." Nearly 90% of the articles discovered were available for review through the library…