This book explores the connections between art and education and, specifically, the links among the art of painting, the training of artists, and the education of adults. Five chapters discuss moralization, professionalization, aestheticization, musealization, and indoctrination. "Instruction and Diversion: Moral Lessons in Dutch Art"…

Discusses the relationship between aesthetic value and the improvement of perception of visual artwork. Recent experiments have attempted to improve visual perception of school children, and to study their developmental preferences in art. But art has moral dimensions, and aesthetic education must also facilitate the appreciation of aesthetic…

Discusses the contents of typical art education learning packages. Those of the Central Midwestern Regional Laboratories (CEMREL) are designed to heighten student involvement through use of media. Other packages focus on art history, art appreciation, and arts and crafts activity. A package has also been developed for special education students.…

Besides providing children with opportunities to practice skills in the making of art, teachers also need to help children learn to respond to aesthetic qualities found in their art and beyond. Examines aesthetic response and how it can be developed in young students. (Author/RK)

Discusses the nature of aesthetics, the kinds of activities involved, its sources, and competing ideologies. Recommends a plan for teaching aesthetics. Maintains that, for aesthetics to be fully implemented into the school, teachers must be asked to participate in designing the curriculum. (KM)

Reports on a research study that highlights educational and pedagogical issues in nonformal programs for teaching the visual and performing arts in a midwestern province of China. Finds that government subsidizing has lead to some amount of success but that this very interference creates problems of both a financial and political nature. (KO)

Notes that the developments in microcomputers such as extended memory, sound and graphics capabilities, development of digitizing, and the introduction of paint programs have enhanced the usefulness of microcomputer technology in artwork production. Discusses digitizing and the features of paint programs, and the implications for art production…

Examines the origin and nature of kitsch and its prominence in contemporary U.S. culture. Discusses how kitsch can be used in the arts curriculum to teach cultural and aesthetic lessons. (KM)

An argument is made for increasing community-based art education programs for adults. Identification of this need emerged from information gathered in a 24-month field research project designed to examine how the attitudes of persons supporting the arts might influence local school policies on arts education. (KO)

Current school restructuring challenges passivity and rigidity and provides new openings in experience, which creates good contexts for art education and aesthetic education. The paper discusses how such education opens people to visions of the possible rather than the predictable, thus creating a community of distinctive individuals. (SM)

High school students who visit museums have many diverse life experiences, and instructors must understand that the experience is tremendous preparation for looking at art. The article explains how to encourage students to respond to art rather than talk at them about what they should know. (SM)

Describes the Eakin School Project, developed in collaboration with the Nashville (Tennessee) Institute for the Arts (NIA), a five-year project begun in 1991 to make the arts and aesthetic education central to the kindergarten through grade six curriculum at the Eakin School. Students view performances in and around Nashville and are taught by…

Proposes a definition of art criticism and claims that art criticism can never be a neutral activity. Examines reasons and provides examples of value orientations. Suggests a method for criticizing art in an educational context. (CFR)

Describes a course entitled "Art and Art Theory of the 18th Century" designed for both undergraduate and graduate students that introduces them to the demanding work of scholars as opposed to the broad survey courses usually offered. Justifies and highlights the readings for the course and provides a sample schedule. (CMK)

Describes the American public's growing interest in art after World War II. Discusses the problematic history of arts in the public school curricula, in which arts programs are seen as a last priority in school reform and are the first to be eliminated in school districts facing financial retrenchment. (SR)