This case study explores arts-based teaching and learning in generalist teacher education by focusing on student teachers' aesthetic learning processes in a professional workshop. The workshop is included in a Norwegian teacher education programme, where the student teachers learn "about" and "through" aesthetic learning…

Identities undergo a series of influences, shifts, and dialogic constructions; this is especially true throughout adolescence and in relation to political and social situations within communities. A review of identity development literature coupled with research on multimodal creative expression reveals the ways in which identity is constructed…

Aesthetics as a discipline studies the nature, content, value and origin of art. The term 'aesthetics' originates from the Greek words 'aisthanesthai' (to hear, to perceive) and 'aisthesisi' (emotion, sense). Art depicts beauty when it reproduces the beauty in nature. Amongst the tasks of aestheticians when studying the universal structure of art…

This study explores the relationship between art object preferences and aesthetic attitudes of high school students. A corollary variable was socioeconomic status as determined by the National Opinion Research Center scale. A sample of 443 students, grades 8-12, in a Virginia high school, were studied. The 5-point Aesthetic Attitude Scale was used…

The "Bulletin of the Caucus on Social Theory and Art Education" is an annual publication, with each issue devoted to a unified theme. The theme of this issue is aesthetic response. The following papers focus on the audience and the persons responding to art: "Attitudes of Three Urban Appalachian Teenagers Toward Selected Early Modern American…

Results of this study indicate that students' attitudes toward styles of painting studied were influenced in a positive direction through use of an experimental curriculum. (RW)

The author describes several higher education classes he has taught in an attempt to test out approaches to nondirective, unstructured art education classes and the students' responses to such approaches. (KC)

Participant observation of an innovative art teacher's classroom technique suggested that, despite his popularity with students, this teacher did not fully engage his students' attention. His attempt at using cognitive dissonance to bring about attitudinal change in the classroom left many students baffled despite the effort expended to involve…

Contends that aesthetics can be be made understandable and relevant to students. Describes a classroom lesson in which middle school students learned about aesthetic theory through a hands-on activity. Includes instructional procedures and suggested art works for the activity. (CFR)

This analysis of aesthetic appreciation provides a theoretical model to help teachers recognize the aesthetic level at which students are operating. The purpose of the study is to explain to art educators how to expand a student's capacity to appreciate works of art. The study is presented in two parts. Part I describes and evaluates theories of…

Describes the development and impact of a fine arts high school graduation requirement. Discusses how music, drama, and art teachers relinquished some of their independence to form a fine arts department. Includes six strategies that might be used to institute a fine arts graduation requirement in other schools. (CFR)

Recreates a lively, informal discussion about art between three high school students and an art education professor. The students discuss their backgrounds, experiences creating art, and art preferences. Includes added commentary by the professor. (MJP)

The document presents a report from a survey to evaluate aesthetic consciousness among participants in an aesthetic education pilot project (AEP). The AEP consisted of curriculum packages entitled "Meter,""Sound and Movement,""Word Pictures,""Characterization," and "Dramatic Plot." Extended pilot trials of the aesthetic education packages were…

Contends that the attainment targets of the first draft of the National Curriculum for Art neglect art appreciation and limit rather than liberate children's creative powers. Concludes that the biggest concern is how to reconcile the demand for a tighter curriculum structure with the need to preserve an important place for personal spontaneity.…

Designed as a pilot program, a 5-day arts day-camp held at Illinois Valley Community College for 44 fifth and sixth graders during summer 1981 provided a model approach to interrelating the arts. A thematic structure allowed experiences in visual arts, dance, drama, and music with faculty who had multi-arts experience as well as specialization in…